Tematy i Konteksty 7(12) 2017

URI dla tej Kolekcjihttp://repozytorium.ur.edu.pl/handle/item/3232

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  • Pozycja
    Pochwała Jubileuszu. O świętowaniu dwudziestopięciolecia Zakładu Literatury Staropolskiej i Polskiego Oświecenia w Uniwersytecie Rzeszowskim
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Trościński, Grzegorz
    The subject of the report is the jubilee of the 25th anniversary of the Department of Old Polish Literature and the Literature of Polish Enlightenment at the University of Rzeszow. The celebration took place on 14th December 2016. It gathered the authorities of the Rzeszow University, the Institute of Polish Philology, the employees of the Department and numerous guests from other scientific units of the Faculty. During the meeting occasional publication entitled „Staropolskie i oświeceniowe tematy i preteksty” (Old-Polish and Enlightenment topics and pretexts). It is filled with the present employees’ of the Department works and the jubilee presentation of its output and the output of people constituting the Department in the past and at present. An occasional lecture was delivered by Professor Jerzy Jarzębski.
  • Pozycja
    Konferencja naukowa „Jesteśmy wszędzie i nigdzie”. Twórczość literacka, translatorska, krytycznoliteracka i naukowa Andrzeja Buszy
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Pasterski, Janusz
    This outline is a report from the Polish Scientific Conference „Jesteśmy wszędzie i nigdzie”. Twórczość literacka, translatorska, krytycznoliteracka i naukowa Andrzeja Buszy („We are everywhene and nowhere”. Literary, trnaslating, critical and scientific output of Andrzej Busza) which took place in Rzeszow on 3-4 November 2016. The aim of the conference was reflection on the literary but also translating, critical and scientific output of Andrzej Busza, an emigrant Polish poet connected with the London group “Continents”, a retired English professor at the University of British Columbia in Vancouver, an expert in the output of Joseph Conrad, residing for many years in Canada. Among the topics discussed by the researchers there were, among others, issues of literary tradition, individual poetic style, problems and autobiography.
  • Pozycja
    W kręgu twórczości Anny Frajlich, czyli o Międzynarodowej Konferencji Naukowej „Tu jestem / zamieszkuję własne życie”. Twórczość poetycka, prozatorska i epistolarna Anny Frajlich (i nie tylko…)
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Pasterska, Jolanta
    On October 24-25, 2016 the University of Rzeszów hosted the International Conference “Here I am / I inhabit my own life”. Poetry, prose and epistolary writings of Anna Frajlich, whose honored guest was famous Polish poet, writer, essayist, editor, lecturer of Polish language and literature at Columbia University in New York City. The aim of meeting was to describe Frajlich’s individual poetics, discuss her place in literary tradition, analyze a variety of her styles, motives, topics and toposes used. The speakers were also interested in the biography of the poet perceived in the contexts of such cultural and methodological notions as identity, emigration, alienation or re-rooting. The conference was organized by Institute of Polish Philology of the University of Rzeszów, Department of Theory and Anthropology of Literature, Workshop of Research and Record of Literary Culture, and Polish Philology Faculty of Jagiellonian University in Kraków.
  • Pozycja
    Dekonstrukcja stereotypu a zrozumienie obcości
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Pokrywka, Rafał
    The article is a review of the book „Deutschland- und Polenbilder in der Literatur nach 1989” edited by Carsten Gansel and Monika Wolting. In the first part four main assumptions of the volume are described: 1. The presentation of historic transformations in literary texts, 2. The provocative potential of literary texts, 3. The construction of identity in narratives, 4. The construction of symbolic spaces in literary texts. According to these categories the papers of the volumes are examined. Their coherence with the main idea of the volume as well as their methodological foundation are the evaluating criteria of the review.
  • Pozycja
    Tęskniąc za wielogłosowością. Agnieszki Nęckiej rozpoznania „literatury nowej i najnowszej”
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Pasterska, Jolanta
    The review applies diagnosis of new Polish literature made by the critic and literary scholar Agnieszka Nęcka. Discussed topics of artistic innovations, polyphony and relation to reality.
  • Pozycja
    Książki wyzwalają emocje
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Żórawska, Natalia
    This article is a review of the book by Ryszard Koziołek entitled „Dobrze się myśli literature” (Literature is a good way of thinking). This publication is a collection of essays in which the literary expert considers the essence of contemporary reading. Koziołek pays special attention to emotions accompanying reading – bot the latest literature and the books considered to be classic ones. He indicates that literature is a special kind of continuity which can be analyzed through the prism of many fields of science, among others, economics or psychology.
  • Pozycja
    Stwarzanie Australii
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Jaroszyński, Andrzej
    The review of Magdalena Bąk’s „Gdzie diabeł (tasmański) mówi dobranoc. Wizerunek Australii w literaturze polskiej” (Where a (Tasmanian) devil says good-bye. The image of Australia in Polish literature) outlines a well-researched presentation of Australian interests in Polish literature in the historical context. The publication is recognized for its pioneering attempt to show a diversity of Australian topics in a variety of literary genres (travel books, memoires, personal accounts, novel and poetry). The reviewed book is also valued for its focus on the forgotten chapter of the 19th century Polish works dealing with Australia.
  • Pozycja
    Maria Rodziewiczówna o swojej twórczości. Nieznana kartka pocztowa pisarki
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Rusin, Joanna
    In this text an unknown before postcard by M. Rodziewiczówna has been published, in which the writer briefly yet to the point spoke on the subject of the creation of female characters and love in her novels.
  • Pozycja
    Poeta i pedagog Józef Czechowicz o edukacji czytelniczej młodzieży
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Uljasz, Adrian
    The presented publication is a critical edition of the article by the poet and pedagogue Józef Czechowicz (1903 – 1939) entitled „Liryka i młodzi” (Poetry and the young) published in the third issue of the „Ogniwo” (“Link”) journal from 1933. This article was not included in the volumes with journalistic writings by Czechowicz. However, it deserves interest partially due to its always current contents. The author’s view on the necessity to adjust the programme of literary education and the book collections of public and school libraries to the reading interests of the youth should be shared by teachers and librarians at contemporary times similarly to the times when Czechowicz published his statement.
  • Pozycja
    Listy Józefa Czapskiego do Stanisława Lorentza
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Kowalczykowa, Alina; Stanisz, Marek
    In this text six Józef Czapski’s letters to Stanisław Lorentz are published from years 1958-1960 and 1978. These letters concern donating Czapski’s drawings and paintings to the National Museum. One of them includes the painter’s reflections on the subject of his drawing and its importance for him.
  • Pozycja
    „Historia miłosna jak jasna cholera”– wybrane wyobrażenia miłości w liryce polskiej po 1990 roku
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Żynis, Bernadetta
    The article presents several scenes of love in erotics generation of “bruLion”. Although these lyrics are very different, they share the conviction of the impossibility of expressing love of affect, lack of new, adequate language, a good story. The lyrics focus on the presentation of almost behavioral symptoms of feeling. They try using irony, shortcut, allusions, distance, banality and hyperboles find the language of contemporary narrative of love. “Love does not know”, and if you do not know, is not able to speak, doomed to live, not to speak (love belonging to the internal order of biology, nature, instinct and passion can not find in the discourse, he did not embrace and will not carry in other words, what is real, when it passes the symbolic does not mean now what it was). However, the analysed examples show a successful attempt to exceed the “impossibility”, and the record is proof of yet another victory in the words of the inexpressible.
  • Pozycja
    Próba opisania świata… „Świat z góry na dół w Pieczerskiej Ławrze w Kijowie” Tadeusza Kubiaka
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Bobryk, Roman
    The article provides an interpretation of Tadeusz Kubiak’s „Świat z gory na dół w Pieczewskiej Ławrze w Kijowie” [The World Upside Down in Pechersk Lavra in Kyiv]. The poem presents a description of Lavra’s interior, which makes a closed and harmonious entity, “the world”. This entity is gradational rather, than homogeneous. The direction of gradation is indicated in the title and finds its embodiment on the level of style and motif. The space depicted can be divided onto two separate parts: the sacred and the profane, the boundaries of which are defined by “the wall.”
  • Pozycja
    Paweł Hertz. Pochwała dziewiętnastowieczności
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Czajkowska, Agnieszka
    This article shows the output of Paweł Hertz – a poet, translator, editor, publicist as an example of current today Polish literature from the 19th century viewed in both domestic context and on the background of well-known European literature. Arguments supporting the thesis are the fact that he showed the output of the 19th-century writers as a uniform entity without division into particular epochs (contemporary career of the 19th-century-ness), ahistorical understanding of esthetic categories (e.g. classicism) practising reading in anthropological categories (as experience), pointing at the emotional reaction between the reader and the work, activist understanding of culture, revalorization of literature of various circulations, exceeding strictly national categories in thinking about literature, signals of material feedback in humanist science, humanism. The mentioned elements of the project of reading Paweł Hertz indicate current character and raise the attractiveness of his writings.
  • Pozycja
    Literackie narracje o kolekcjach
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Skorupa, Ewa
    The article concerns collections and collecting as a literary theme. Research on this issue should be undertaken by literary scholars, as collections support the characteristics of literary characters and give heroes their identity. The work analyzed from this angle is “Money” by Andrzej Strug from the year 1914. It interprets and describes three different collections and three different collectors: the eccentric Lyttons and their museum of stones, Lucy Slazenger’s precious jewelry collection and the art collection of Osias Murwaya, an enthusiast of antiquity.
  • Pozycja
    Motywy okultystyczne w powieści gotyckiej XVIII i XIX wieku
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Szargot, Hanna
    This text’s topic are all the forms of occultism and magic presented in four examples of gothic novel: Matthew Gregory Lewis’ “The Monk”, Edward G. Bulwer-Lytton’s “The Last Days of Pompeii”, William Beckford’s “Vathek” and Alexandre Dumas’ “The Wolf Leader”. The work presents the part, which magic plays in characters’ lives: how it is considered as art and wisdom, how important are rituals, why do people want to use it, how evil it can be, how it separates magicians from others, and how it can destroy the protagonist’s life.
  • Pozycja
    Piersi w świętości…
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Regiewicz, Adam
    The analysis of medieval hagiographic stories bring an interesting reflection on the role and significance of female breasts in faith transmission. Their presence in cultural transmission, despite common conviction about absence of erotic motives in the culture of the Middle Ages is quite widespread. It is strongly connected with biblical tradition in which the breasts become a symbol of motherhood and at the same time of youth and joy expressed by wine. Simultaneously in early Christian tradition female breasts become the mark of martyrdom. Mythical narration emerging in this way combines milk and blood as life-giving juices which may be sucked by a “child of God”.
  • Pozycja
    Drei Metaphern des Exils im neuesten deutschsprachigen Roman: „Gehen, ging, gegangen“ von Jenny Erpenbeck, „Ohrfeige“ von Abbas Khider, „Das Mädchen mit dem Fingerhut“ von Michael Köhlmeier
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Pokrywka, Rafał
    The paper is divided into three parts. In the first one the most popular contexts of the research of the migrant literature are named: the actual debate about consequences of migrant policy and the figure of the author. In the second part three central metaphors in the novels of Erpenbeck, Khider and Köhlmeier are presented. These metaphors of exile are: disturbed time, lost life story, incomprehensible language. The third part contains an overview of the reception of the novels in Germany. The conventions of reading focus first of all on the two aforementioned non-fictional references (political context and author) without taking the metaphorical power of the texts into account. Thus the new migrant literature tends to become an equivalent for journalism and is read literally as a testimony of the author.
  • Pozycja
    Die Entzauberung des Westens in Julia Francks Roman „Lagerfeuer“
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Jaśkiewicz, Grzegorz
    This text is devoted to the phenomenon of realism in postwar German novel on the example of the younger generation author Julia Franck (Born 1970). The tradition of realistic writing in German literature reaches the first half of the 19th century when mainly Georg Büchner postulated and realized realistic art. Consecutive authors, the great realists of the 19th century like Theodor Fontane saw in realism not only the reflection of reality in literature but embellishing it. After World War II great German writers like Böll, Andersch, Koeppen or Walser recalled Western Germany with its society in their realistic novels. Their characteristic feature was objectively marked narration. And Franck’s novel is this way as well. Told from the perspective of four people it shows what was „talked about”. Repatriation or escape to the West did not mean entering paradise. Runaways still experience humiliation, have to deal with the environment and themselves. The esthetic category is ugliness. And from this perspective the lives of heroes/narrators are analyzed.
  • Pozycja
    Die Mauer steht noch, oder: Begegnungen an der Grenze. Menschen, Geschichten und Konflikte in „Unterleuten“ (2016) von Juli Zeh
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Jurzysta, Aneta
    The article is devoted to Juli Zeh’s novel „Unterleuten”, which explores what happens in a small village outside of Berlin, when an energy company arrives with plans to develop a wind farm. Brutality surfaces in many forms, from harassment and deliberate cruelty to perverse acts of revenge. Two old men, a successful agribusiness man and a displaced comrade from the former GDR farming collective, reengage in past conflicts, and their twenty-year-long feud grows into a prime source of vicious ill feeling. The structure of the novel is like a literary kaleidoscope: „Unterleuten” is a place between past and present, east and west, city and province, civilisation and tradition, reality and fiction, true and false, winners and losers.
  • Pozycja
    „Annehmen. Akzeptieren. Damit leben. Nicht vergessen. Sich erinnern.“ Subversive Erinnerungsverschiebungen der Post-Shoah-Generation in Mirna Funks Roman "Winternähe“ (2015)
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Rutka, Anna
    The debut novel „Winternähe” by the young German-Jewish author Mirna Funk is a paradigmatic illustration of the post Shoah literature of the third, the grandchildren generation. The novel expounds on against background of the death of Shoah-survivors, the new ways of dealing with the family past and transnational Shoah memory in a complex relation to the globality and mobility as current conditions of the modern life. Funk’s novel also expounds on the subversive strategies, which are inherent in modern virtual communication media like Facebook or Instagram.