Repozytorium Uniwersytetu Rzeszowskiego
Witamy w Repozytorium UR - cyfrowym archiwum rejestrującym dorobek naukowy i dydaktyczny środowiska akademickiego UR.
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Ostatnio nadesłane materiały
„Sikam, rzygam i płaczę. Jestem w ciąży” – matryfokalne (de)konstrukcje obrazów ciąży w twórczości Manueli Gretkowskiej i Justyny Bargielskiej
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2024) Głos, Mikołaj
Literature based on personal experiences can take various forms – an intimate relationship, somewhat closed to the reader-viewer who can only follow someone’s fate, or therapeutic works. These findings become the starting point for the analysis and interpretation of two novels – Polka (2001) by Manuela Gretkowska and Obsoletki (2010) by Justyna Bargielska. The main aim of the article is to analyze the writers’ (self-)portrait as mothers in the perspective of upcoming motherhood. By using the form of a novel diary, the authors try to work through the stress and trauma associated with (un)planned motherhood, which is unique in the context of contemporary Polish literature.
Ewolucja postaci kobiecych w dark academia – od całkowitego podporządkowania do indywidualizmu i niezależności
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2024) Krotos, Katarzyna
The theme of my article is the analysis of changes of the representations of female characters in dark academia literature over the years. I will refer to books that could be named „The Bible” of dark academia: Dead Poets Society by Nancy Kleinbaum, The secret history by Donna Tartt and If we were villains by M.L. Rio. I will show, the aspects of the feminity authors concentrated on and how the perception of women’s role in romantic relationships has changed in dark academia literature. I will specifically focus on characters of: Chris, Camilla and Meredith. Accordingly to spirit of the dark academia I will describe possible inspirations of the authors in the process of creating these female characters as Greek goddesses. I will show that in the last two novels women are not, as in the first novel, only passive „beauty details”. Camilla and Meredith are the true participants of the novels’ events, with their own desires, who are making independent choices. I will also point out that the characters whom I am describing have evolved in their ways of reacting to the situations of pushing their individual boundaries: from lack of any action and submission (Chris) to the active resistance (Meredith). To sum up I will consider the possible influence of the online users (readers) on the process of the evolution of the female characters in the dark academia novels.
Portret matki we współczesnej polskiej i francuskiej prozie (na przykładzie Bezmatka Miry Marcinów i Pewnej kobiety Annie Ernaux)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2024) Mackiewicz, Olga
The subject of the article is the portrayal of mothers in two contemporary prose works: Bezmatek by Mira Marcinów and A Woman’s Story by Annie Ernaux. The author, citing the works of Agnieszka Starobierska and Maria Mann, traces the evolution of the portrayal of the mother figure in Polish and French literatures – from biblical references to breaking away from the glorification of motherhood. To demonstrate how contemporary literature deconstructs the ‘traditional’ view of motherhood, the prose works of Marcinów and Ernaux are invoked. Both Bezmatek and A Woman’s Story were written after the deaths of the authors’ mothers, which makes the narrative oscillate between tenderness (Marcinów) and the desire to place the mother figure in a social and cultural context (Ernaux). The prose works are also brought together by the writers’ desire to search for a new form of expression. Both authors admit that they dedicated books to the most important women in their lives.
Tożsamość kobieca w Tuż-tuż Julii Fiedorczuk
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2024) Majca-Lipa, Katarzyna
This article is devoted to an analysis of the identity of a woman in the poetic book Tuż-tuż by Julia Fiedorczuk, published in 2012. This volume of poetry is also the first in Fiedorczuk’s oeuvre in which the poet touches upon the subject of motherhood – this feminine experience can be put within the framework of the notion of chthonicity belonging to the theory of sympoietic reading (Koza 2023). The theme of female identity is considered in relation to the volume Tuż-tuż, as well as the recognitions in the field of literary theory made by Fiedorczuk herself. Above all, through her poetry, but also through Julia Fiedorczuk’s theoretical and literary reflections, the ways in which various roles can be understood: woman-poet, woman-researcher, woman-ecofeminist, woman-mother in times of anthropocentricity of poetry and culture are shown.
„Na chwilę przypominałam sobie, że żyję, po czym znowu odpływałam” – Mój rok relaksu i odpoczynku Ottessy Moshfegh jako przykład depresyjnej literatury kobiet
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2024) Mendrek, Klara
In my article, I analyse Ottessa Moshfegh’s novel My Year of Rest and Relaxation by taking into consideration aspects of depressed women fiction genre. I situate the novel in broader societal context and analyse its popularity in new social media, especially on TikTok. Moreover, I present Ottessa Moshfegh’s interpretation of her books and connect it with My Year of Rest and Relaxation’s ending.