Tematy i Konteksty 12(17) 2022
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- PozycjaMatka Polka Destruktorka – dwa oblicza dysfunkcyjnego macierzyństwa (na przykładzie „Szopki” Zośki Papużanki i „Gorzko, gorzko” Joanny Bator)(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Głos, MikołajThe aim of the article is to present two different images of dysfunctional motherhood in contemporary fictional Polish prose on the example of the novel “Gorzko, Gorzko” by Joanna Bator and “Szopka” by Zośka Papużanka. The first of them, represented by the protagonist Violetta Serce of “Gorzko, Gorzko”, fits in the current literature trend of creating an anti-mother character, an enemy who usually perceives a child as a “problem” or is unable or does not want / cannot show him or her feelings, because motherhood it is an obstacle for her. The second is represented by the nameless mother of Zośka Papużanka’s “Szopka”, who identifies the so-called “Gastronomic mother”. The analysis shows that Polish prose of the last two decades still lacks the figure of a mother-friend, and the trauma of being born and growing up in the realities of the PRL’s and capitalism has permanently entered the minds of contemporary writers, destroying optimistic hopes for a successful family life and motherhood.
- PozycjaW kręgu historiografii czasów saskich(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Prabucki KrzysztofThe review describes Piotr Sebastian Ślusarczyk’s book entitled “Horizons of erudition. A study on Szymon Majchrowicz’s Triazoic szczęśliwa królestw”. The cognitive value of this publication is manifested in its extraordinary approach to historiographic matter which is extremely often marginalized by researchers studying the late Baroque literary heritage. The review focuses on showing the erudite nature of Ślusarczyk’s monograph first of all and also examining the antecedents of the ideas explicated in the Jesuit’s work and also polemics with the author about the „Sarmatian nature” of Szymon Majchrowicz’s treatise.
- PozycjaAnaliza genologiczna podcastu kryminalnego na wybranych przykładach(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Dul, BeataThis article studies in detail two examples of the so-called ‘true-crime podcasts’, following the genological analysis scheme introduced by Maria Wojtak in her “Introduction to Genology”. It addresses not only their textual aspect, but also the audial part. In a broader perspective, this article attempts a systematic investigation of the ‘podcast’ in the genological context (as a relatively new and still dynamically evolving notion, it lacks a genre template) and its correlations within the mediasphere.
- Pozycja„Panorama badań aksjologicznych we współczesnym literaturoznawstwie polskim” (polemiczne dopowiedzenia)(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Obremski, KrzysztofThis publication contains polemic commentaries to the text by Beata Garlej „Panorama badań aksjologicznych we współczesnym literaturoznawstwie polskim” [Panorama of axiological research in contemporary Polish literary studies] („Tematy i Konteksty” 11(16)/2021). This publication has been divided into three parts: “Lublin school (KUL school)”, “Torun school” and “Warsaw school”. The lack of the authoress’s explanations of her understanding of the term ‘school’ allows to overestimate the significance of “Torun school” and underestimate the significance of “»Garden« school”.
- PozycjaTestowanie gatunku, testowanie gatunkiem(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Korwin-Piotrowska, DorotaThe article refers to current genological problems in literary studies. When the author talks about ‘testing a genre’, she has in mind literary and theoretical trails of old and new literary forms. When she talks about ‘testing with a genre’, she means attempts to look at contemporary culture and its changes through the prism of a genre. The discussed issues include, among others, anamorphism of genological terms, the phenomenon of genre irony, inadequacy of old classification and ways of conducting research in the richness and distinctness of contemporary phenomena, necessity of taking into account comprehensive changes occurring in culture and cyberspace in the genological reflection.
- PozycjaKrąg mitów arturiańskich w twórczości Johna Ronalda Reuela Tolkiena i Andrzeja Sapkowskiego(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Kosiba, JowitaThe article is devoted to the functioning of the Arthurian legends in the works by both J.R.R. Tolkien and A. Sapkowski. The universe of Andrzej Sapkowski, who inscribed his own story into the Arthurian myth, makes an impression of being rooted in a long, centuries-old tradition. Tolkien also drew from the legend of King Arthur and the Knights of the Round Table, using the eternal desire for the coming of the king – restorer. The most interesting issue is the different approach to the legend presented by both writers. Tolkien omitted elements „contaminated” with Christian influence, extracting the pure essence of pagan Celticism, while renouncing an inspiration from the medieval history. Sapkowski, on the contrary, openly admits to his fascination, apotheosing the Arthurian myth in both its forms – the primitive one and the one filtered through the Christian tradition.
- PozycjaWielkie zmiany w małym mieście. Dobre i złe spotkania z nowoczesnością w „Promieniu” Stefana Żeromskiego(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Chyła, KarolinaThis article analyses complex and ambiguous aspects of modernisation, depicted by Stefan Żeromski in his intriguing but rather obscure novel “Promień” [“The Ray”] (1898). The writer chooses a provincial town for his scenery – although based on Kielce, it is hidden with a fictional name – which experiences an industrial revolution in miniature. A railroad built in the area, old, solid shops and enterprises brought to death by the modern way of trade and a shockingly radical local newspaper ran by the novel’s protagonists are just a few most striking symptoms of that inevitable and unsettling process of change.
- PozycjaO biograficznych aluzjach do rzeczywistości w poezji. Wprowadzenie teoretycznoliterackie(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Garczarek, KrzysztofThis article is an introduction to theoretical considerations focused on biographical allusions to reality that find their place in poetry. The author, following the theories of literary fiction rooted in Aristotle’s thought, takes the position that all scientific considerations concerning the actual prototypes of the creation of the represented worlds must start with the rejection of existential monism and assume the existence of ‘possible worlds’. The author proposes to introduce the concept of ‘biographical allusion formulated by applying a lyric strategy’ into literary theory and indicates three basic lyrical strategies of this type: testimony, confession and challenge.
- PozycjaO „podkarpackich” wierszach do braci (w stronę antropologii listu poetyckiego; rekonesans)(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Kuczera-Chachulska BernadettaThe sketch deals w ith the problems of the poetic letter. During the exemplification of the issue, poems by Julian Przyboś, Cyprian Norwid and Ignacy Krasicki are used. It turns out that important issues can be seen from the perspective of selected, but also deep anthropological problems, arising from the interpretative process. The tools for understanding them are provided by thinkers of post-Husserlian phenomenology, in this case Dietrich von Hildebrand.
- PozycjaMiędzy piosenką poetycką a poezją śpiewaną – twórczość Mirosława Czyżykiewicza w perspektywie genologicznej(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Brucki, SzymonThe aim of this article is an attempt to classify the works of Mirosław Czyżykiewicz – an outstanding guitarist, composer and vocalist, one of the most valued performers of poetic song and sung poetry in Poland; and to question the validity of the division into the above-mentioned genres existing in the scientific discourse. As it turns out, the bard’s original work eludes the previously known typology, according to which both these varieties of song are treated as separate verbal and musical phenomena. Meanwhile, their far-reaching similarity, or rather the lack of clearly identifiable differences, do not allow us to think of them as completely different genres.
- PozycjaSzopka – między sacrum a profanum. Genologia widowiska(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Nabiałek, MagdaThe article attempts to look at the nativity play in a genological context. The author’s aim is to broaden the context of reading this form of the show. It represents a polemical position towards the unambiguous linking of the nativity play with folk culture. Instead, he suggests looking at it in the context of such forms as literary mimes, mysteries, comedy dell’arte and some mass spectacles. The consequence of this type of considerations is noticing the characteristic, according to the author, tension between the mystery and the farce, sacrum and profanum.
- PozycjaObecność mitu tristanowskiego w nowoczesnej literaturze, filozofii i muzyce(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Halwa, AdriannaAdrianna Halwa presents a review of the book by Artur Żywiołek “Tristitia moderna – pasja mitu tristanowskiego w nowoczesnej literaturze, filozofii i muzyce” [Tristitia moderna – the passion of the Tristan myth in modern literature, philosophy and music]. Artur Żywiołek in his monograph shows the presence and changes of the Tristan myth in European culture. The author analyzes the turning point of the Modernist era, when there were revolutionary changes in literature, music and philosophy. Żywiołek examines this phenomenon in relation to the Tristan myth, its new interpretations, as well as symbols and cultural codes that it has developed since the Middle Ages.
- PozycjaDlaczego zwierzęta? „Poemat o miejskiej rzeźni” jako narracja zookrytyczna(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Juchniewicz, AndrzejThe article’s author proposes a zoocritical reading of Tadeusz Śliwiak’s “Poem about the Urban Slaughterhouse” and poems from other volumes in which animals appear. The basic assumption is an attempt to notice in the volume from 1965 threads testifying to ecological sensitivity, which anticipated the subsequent development of ecological literature. The author, taking into account the poems created since the 60s of the twentieth century, postulates the recognition of Śliwiak as a poet who shows a tendency to include not only people but also animals in the “community of the wounded”. The emotion that allows us to build a new order based on care and responsibility is the humiliation experienced by the poet during his stay in the city slaughterhouse during the Second World War. What testifies to the persistent return of memories from that period is the metaphor of the “scar of memory”, appearing in many poems. The author of the article argues that long-term observation of the mass death of animals could have been a traumatic experience for the poet.
- PozycjaReprezentatywność cech gatunkowych trawelogu w porównaniu z innymi gatunkami literackimi(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Rozinkewycz, NataliaThe purpose of the article is to systematize the experience of modern scholars who study the genres of travel literature. The focus is on determining the basic characteristics of travelogues in comparison to the genre features of other genres containing travel (essay, feature, guidebook, etc.). The difference between travel and geographical literature has been clarified. To distinguish between similar genres and understand the differences between them, it is necessary to identify the common and peculiar features of different genres of travel literature.
- PozycjaCzytając Znanieckiego i Carnapa. Studenckie lata Stefana Żółkiewskiego(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Sidorowicz, PiotrThe article is an attempt to describe the first years of Stefan Żółkiewski’s scientific activity. The author begins by analysing the student duties of a future researcher, looking for his first masters. He also considers the theses contained in Żółkiewski’s thesis and concludes with a description of his activity in the students’ scientific circle known as “Warszawskie Koło Polonistów”. The author of the article tries to point out the genesis of Żółkiewski’s qualities, which characterize his later attitude: a leftist worldview, organizational skills, sociological thinking about literature and concern for the general condition of the humanities.
- Pozycja„Wyspa doktora Moreau” Herberta George’a Wellsa – rewizja tropów mitologicznych(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Ligęza, AdrianThis article puts forward a reinterpretation of the presence of mythological tropes in H. G. Wells’s, “The Island of Doctor Moreau”. Once the various contexts within which the novel tends to be read have been presented, attention is drawn to the interpretative approaches adopted by literary critics, such as Bergonzi, Bowen, Hayes, to name but a few, who search for connections between the author’s chosen text and myths. Among the cited interpretations, we will find references to, among others, Circe, Comus and Prometheus. Availing himself of the research methodology adopted by John White and Marie Miguet-Ollagnier, the author identifies the sections where allusions to the myths pertaining to Daedalus and Dionysus are to be most frequently encountered. At the same time, the author expands on the findings of previous research by highlighting newly-found mythological motifs. In his conclusion, the author of this article highlights the need for Wells’s work to be now read against the background of the mythological allusions which he has identified as being present in the world of this novel.
- PozycjaGatunek dramatu „rewolucyjnego”: transgresje i narodowe matryce genologiczne w kontekście ukraińskich rewolucji XXI wieku(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Bondarewa, OłenaConsidering drama as an operational and mobile genre of literature, it is worth starting a separate conversation about its reactivity in the context of Ukrainian revolutions and liberation struggles of the 21st century. After all, modern Ukrainian “revolutionary” drama has nothing to do with the destructive genre clichés of the traditional “revolutionary drama” of the twentieth century. Signs of the latter were the destructive myth of: the new creation of the world; life from zero cycle; basic benefits for infirm people, given by the revolution; static linear plots; pseudo- -documentary; ideological involvement of protagonists / antagonists. Ukrainian “revolutionary” drama of the 21st century has 2 streams dedicated, respectively, to the Orange Revolution (vitalistic-romantic visions of the revolution as “love on the barricades” and “birth of the spirit”, “The Nutcracker 2004” by Alexander Irvantеs and “Revolution, love, death and dreams” by Pavlо Arie) and the Revolution of Dignity, which was mastered: in prophetic works (“Barricades on the Cross” by Yurko Gudz, “Detailing” by Dmitry Ternov); in the latest documentary strategies that do not require additional theatrical reinforcement (“We, the Maidan” by Nadiya Simchych, “Diaries of the Maidan” by Natalia Vorozhbyt); in hagiographic “To the sharpness of the sixth octave” by Igor Yuzyuk, “OTVETKA@UA” by Neda Nezhdana) and in symbolic and allegorical genres (Neda Nezhdana’s “Maidan inferno, or the other side of hell”, Oleksandr Viter’s “Labyrinth”, Oleg-Mykolaychuk-Nizovets’ “Chestnut and Lily of the Valley”, Oksana Tanyuk’s “Woe (not) my wolf, or Schrödinger’s Cat”, Vladimir Kupyansky’s “Under the Sign of Puy”, “Bogdan 2014” by Ksenia Skoryk, “Knight of the Temple” by Tetyana Ivashchenko, “Women and Snapper” by Tetyana Kitsenko, “Christmas on the Maidan” by Vira Makoviy, “Extreme Modern People” by Mykola Istin and many other dramatic works). This gives grounds to consider the irreversible artistic transgressions of the genre, which due to its efficiency and mobility gets a new quality and new life, which is very relevant in the context of the Maidan topos throughout Ukraine in the Russian aggression in 2022.
- Pozycja„Wspomnienia wygnanki” Pauliny Krakowowej – robinsonada z perspektywy kobiecej. Re-lektura(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Berkan-Jabłońska, MariaThe aim of the article is to remind Paulina Krakowowa’s robinsonade “Memories of the exile” created in 1843, and to indicate the possible directions of its contemporary reading. The analysis covers the female characters appearing in the novel, their strategies accepted in the face of unfavorable circumstances, as well as the pro-civilizational actions undertaken already on the abandoned island. According to the author of the article these depictions could have a double meaning for the Polish writer: both feminist and patriotic. A separate issue indicated in the sketch is the positioning of Krakowowa’s work in the context of the Western European female robinsonades of the eighteenth and nineteenth century which have been already the subject of attention of such researchers as e.g. Jeannine Blackwell, Thomas Fair, and Michelle Smith.
- PozycjaRozmowy istotne „wobec zgiełku spraw nieistotnych”. O interlokucjach Wiesława Myśliwskiego i Tomasza Bocheńskiego. Prolegomena(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Maroszczuk, GrażynaThe aim of this study is a genological analysis of the duo-author book by Wiesław Myśliwski and Tadeusz Bocheński, “Myśliwski-Bocheński. Important conversations” in the context of the ‘new version’ of ‘conversations with the writer’ in the era of internet culture.The guide to the analysis is the question of how this publication engages in dialogue with the convention of ‘significant conversations’ by Stanisław Ignacy Witkiewicz, an analyst of the discussion. I ask how the conversations with Wiesław Myśliwski problematize the reflection on literature and literary tradition, the writer’s personal narrative and the communicative situation of the conversation. In Myśliwski’s and Bocheński’s dialogue, tradition, the memory of literature and the attitude towards one’s own memories become rather a default system that the recipient should become aware of if he or she wishes to understand the meanings of the conversation between a prose writer and a literary historian.
- PozycjaGenologia wobec rewolucji cyfrowej. Przypadek reportażu(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Pietrzak, PrzemysławI compare the concept of today intermedial reportage to that before the Internet era. Several features of this genre, usually considered as purely contemporary ones, can be found in the works of 20th century Polish writers including interwar period. Multi-, trans- and intermedial reportages, multiplication of their editorial channels and some forms of participation can be discovered before the time of World Wide Web, on condition that we take into consideration newspaper editions, not only those in the books. Digital revolution then looks merely like a change of carrier rather than a huge turn in the history of some literary genres. Moreover, what it offers (internet channels, social media), is of much less durability than traditional paper texts, and readers’ participation here is frequently limited to commentaries or some cues for authors. Many of them vanish shortly afterwards, what makes a ‘participatory culture’ a cultural illusion.