Tematy i Konteksty 12(17) 2022

URI dla tej Kolekcjihttps://repozytorium.ur.edu.pl/handle/item/8398

Przeglądaj

Aktualnie wyświetlane 1 - 20 z 29

Testowanie gatunku, testowanie gatunkiem
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Korwin-Piotrowska, Dorota
The article refers to current genological problems in literary studies. When the author talks about ‘testing a genre’, she has in mind literary and theoretical trails of old and new literary forms. When she talks about ‘testing with a genre’, she means attempts to look at contemporary culture and its changes through the prism of a genre. The discussed issues include, among others, anamorphism of genological terms, the phenomenon of genre irony, inadequacy of old classification and ways of conducting research in the richness and distinctness of contemporary phenomena, necessity of taking into account comprehensive changes occurring in culture and cyberspace in the genological reflection.
Historyk literatury wśród gatunków mowy. Przypadek Stanisława Pigonia
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Ziołowicz, Agnieszka
The article concerns Stanisław Pigoń’s research on the ‘living word’ of Adam Mickiewicz. The subject of the reflection are two volumes of Mickiewicz’s “Complete Works”, published in 1933, including “Speeches” and “Conversations” of the poet. First of all, the method of scientific procedure used by Pigoń was mainly interpreted. This issue was placed in the context of his concept of the history of literature and of the twentieth-century research on the oral aspects of literature. Both volumes published by the scholar deserve to be recalled and appreciated, as they are the original Polish contribution to this area of scientific reflection. They also allow us to look at the culture of the Romantic era through the prism of forms and functions of orality and enrich our knowledge about the personality of Mickiewicz.
O biograficznych aluzjach do rzeczywistości w poezji. Wprowadzenie teoretycznoliterackie
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Garczarek, Krzysztof
This article is an introduction to theoretical considerations focused on biographical allusions to reality that find their place in poetry. The author, following the theories of literary fiction rooted in Aristotle’s thought, takes the position that all scientific considerations concerning the actual prototypes of the creation of the represented worlds must start with the rejection of existential monism and assume the existence of ‘possible worlds’. The author proposes to introduce the concept of ‘biographical allusion formulated by applying a lyric strategy’ into literary theory and indicates three basic lyrical strategies of this type: testimony, confession and challenge.
Genologia wobec rewolucji cyfrowej. Przypadek reportażu
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Pietrzak, Przemysław
I compare the concept of today intermedial reportage to that before the Internet era. Several features of this genre, usually considered as purely contemporary ones, can be found in the works of 20th century Polish writers including interwar period. Multi-, trans- and intermedial reportages, multiplication of their editorial channels and some forms of participation can be discovered before the time of World Wide Web, on condition that we take into consideration newspaper editions, not only those in the books. Digital revolution then looks merely like a change of carrier rather than a huge turn in the history of some literary genres. Moreover, what it offers (internet channels, social media), is of much less durability than traditional paper texts, and readers’ participation here is frequently limited to commentaries or some cues for authors. Many of them vanish shortly afterwards, what makes a ‘participatory culture’ a cultural illusion.
„Wspomnienia wygnanki” Pauliny Krakowowej – robinsonada z perspektywy kobiecej. Re-lektura
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Berkan-Jabłońska, Maria
The aim of the article is to remind Paulina Krakowowa’s robinsonade “Memories of the exile” created in 1843, and to indicate the possible directions of its contemporary reading. The analysis covers the female characters appearing in the novel, their strategies accepted in the face of unfavorable circumstances, as well as the pro-civilizational actions undertaken already on the abandoned island. According to the author of the article these depictions could have a double meaning for the Polish writer: both feminist and patriotic. A separate issue indicated in the sketch is the positioning of Krakowowa’s work in the context of the Western European female robinsonades of the eighteenth and nineteenth century which have been already the subject of attention of such researchers as e.g. Jeannine Blackwell, Thomas Fair, and Michelle Smith.
Reprezentatywność cech gatunkowych trawelogu w porównaniu z innymi gatunkami literackimi
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Rozinkewycz, Natalia
The purpose of the article is to systematize the experience of modern scholars who study the genres of travel literature. The focus is on determining the basic characteristics of travelogues in comparison to the genre features of other genres containing travel (essay, feature, guidebook, etc.). The difference between travel and geographical literature has been clarified. To distinguish between similar genres and understand the differences between them, it is necessary to identify the common and peculiar features of different genres of travel literature.
Szopka – między sacrum a profanum. Genologia widowiska
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Nabiałek, Magda
The article attempts to look at the nativity play in a genological context. The author’s aim is to broaden the context of reading this form of the show. It represents a polemical position towards the unambiguous linking of the nativity play with folk culture. Instead, he suggests looking at it in the context of such forms as literary mimes, mysteries, comedy dell’arte and some mass spectacles. The consequence of this type of considerations is noticing the characteristic, according to the author, tension between the mystery and the farce, sacrum and profanum.
Znaczenia pieśni w wierszu „Do obywatela Johna Brown”
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Nurzyńska-Kozak Agnieszka
The aim of this article was the analysis of the meanings of song and their transformations in the poem by Cyprian Norwid “Do obywatela Johna Brown”. As a result of interpretational close-ups (especially to the initial phrase and the climax of this poem) the polysemic song by Norwid appears not only as a lyrical genre, a term synonymous to poetry in general but also as an act with performative and transgressive features leading the lyrical subject – also through a specifically ‘musical’ shaping of this poem – towards the experience of epiphany of sacrum (Marian and Christological motives).
Między piosenką poetycką a poezją śpiewaną – twórczość Mirosława Czyżykiewicza w perspektywie genologicznej
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Brucki, Szymon
The aim of this article is an attempt to classify the works of Mirosław Czyżykiewicz – an outstanding guitarist, composer and vocalist, one of the most valued performers of poetic song and sung poetry in Poland; and to question the validity of the division into the above-mentioned genres existing in the scientific discourse. As it turns out, the bard’s original work eludes the previously known typology, according to which both these varieties of song are treated as separate verbal and musical phenomena. Meanwhile, their far-reaching similarity, or rather the lack of clearly identifiable differences, do not allow us to think of them as completely different genres.
Fantastyka naukowa jako bajka? Rozważania nad „Bajkami robotów” Stanisława Lema
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Gall, Alfred
This paper deals with Lem’s “Fables for Robots” and sheds some light on the genological interplay between science fiction and fairy tale. Its aim is to show to what extent a key feature of fairy tales like magic is transformed within the framework of science fiction. Lem depicts peculiarities of technological civilisation (Gotthard Günther). By referring to the fairy tale Lem draws the attention to the non-technological background in this civilisation, namely the desires and aspirations on which technologies as well as social order are based. In this interconnection of desire and technology lies in the core of Lem’s literary synthesis of fairy tale and science fiction. This synthesis is contextualised on the basis of Lem’s own theoretical works, related discussions of magic in technology (Norbert Wiener, Arthur C. Clarke), and Max Horkheimer’s critical reassessment of modern rationality.
O „podkarpackich” wierszach do braci (w stronę antropologii listu poetyckiego; rekonesans)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Kuczera-Chachulska Bernadetta
The sketch deals w ith the problems of the poetic letter. During the exemplification of the issue, poems by Julian Przyboś, Cyprian Norwid and Ignacy Krasicki are used. It turns out that important issues can be seen from the perspective of selected, but also deep anthropological problems, arising from the interpretative process. The tools for understanding them are provided by thinkers of post-Husserlian phenomenology, in this case Dietrich von Hildebrand.
Rozmowy istotne „wobec zgiełku spraw nieistotnych”. O interlokucjach Wiesława Myśliwskiego i Tomasza Bocheńskiego. Prolegomena
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Maroszczuk, Grażyna
The aim of this study is a genological analysis of the duo-author book by Wiesław Myśliwski and Tadeusz Bocheński, “Myśliwski-Bocheński. Important conversations” in the context of the ‘new version’ of ‘conversations with the writer’ in the era of internet culture.The guide to the analysis is the question of how this publication engages in dialogue with the convention of ‘significant conversations’ by Stanisław Ignacy Witkiewicz, an analyst of the discussion. I ask how the conversations with Wiesław Myśliwski problematize the reflection on literature and literary tradition, the writer’s personal narrative and the communicative situation of the conversation. In Myśliwski’s and Bocheński’s dialogue, tradition, the memory of literature and the attitude towards one’s own memories become rather a default system that the recipient should become aware of if he or she wishes to understand the meanings of the conversation between a prose writer and a literary historian.
Gatunek dramatu „rewolucyjnego”: transgresje i narodowe matryce genologiczne w kontekście ukraińskich rewolucji XXI wieku
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Bondarewa, Ołena
Considering drama as an operational and mobile genre of literature, it is worth starting a separate conversation about its reactivity in the context of Ukrainian revolutions and liberation struggles of the 21st century. After all, modern Ukrainian “revolutionary” drama has nothing to do with the destructive genre clichés of the traditional “revolutionary drama” of the twentieth century. Signs of the latter were the destructive myth of: the new creation of the world; life from zero cycle; basic benefits for infirm people, given by the revolution; static linear plots; pseudo- -documentary; ideological involvement of protagonists / antagonists. Ukrainian “revolutionary” drama of the 21st century has 2 streams dedicated, respectively, to the Orange Revolution (vitalistic-romantic visions of the revolution as “love on the barricades” and “birth of the spirit”, “The Nutcracker 2004” by Alexander Irvantеs and “Revolution, love, death and dreams” by Pavlо Arie) and the Revolution of Dignity, which was mastered: in prophetic works (“Barricades on the Cross” by Yurko Gudz, “Detailing” by Dmitry Ternov); in the latest documentary strategies that do not require additional theatrical reinforcement (“We, the Maidan” by Nadiya Simchych, “Diaries of the Maidan” by Natalia Vorozhbyt); in hagiographic “To the sharpness of the sixth octave” by Igor Yuzyuk, “OTVETKA@UA” by Neda Nezhdana) and in symbolic and allegorical genres (Neda Nezhdana’s “Maidan inferno, or the other side of hell”, Oleksandr Viter’s “Labyrinth”, Oleg-Mykolaychuk-Nizovets’ “Chestnut and Lily of the Valley”, Oksana Tanyuk’s “Woe (not) my wolf, or Schrödinger’s Cat”, Vladimir Kupyansky’s “Under the Sign of Puy”, “Bogdan 2014” by Ksenia Skoryk, “Knight of the Temple” by Tetyana Ivashchenko, “Women and Snapper” by Tetyana Kitsenko, “Christmas on the Maidan” by Vira Makoviy, “Extreme Modern People” by Mykola Istin and many other dramatic works). This gives grounds to consider the irreversible artistic transgressions of the genre, which due to its efficiency and mobility gets a new quality and new life, which is very relevant in the context of the Maidan topos throughout Ukraine in the Russian aggression in 2022.
Dlaczego zwierzęta? „Poemat o miejskiej rzeźni” jako narracja zookrytyczna
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Juchniewicz, Andrzej
The article’s author proposes a zoocritical reading of Tadeusz Śliwiak’s “Poem about the Urban Slaughterhouse” and poems from other volumes in which animals appear. The basic assumption is an attempt to notice in the volume from 1965 threads testifying to ecological sensitivity, which anticipated the subsequent development of ecological literature. The author, taking into account the poems created since the 60s of the twentieth century, postulates the recognition of Śliwiak as a poet who shows a tendency to include not only people but also animals in the “community of the wounded”. The emotion that allows us to build a new order based on care and responsibility is the humiliation experienced by the poet during his stay in the city slaughterhouse during the Second World War. What testifies to the persistent return of memories from that period is the metaphor of the “scar of memory”, appearing in many poems. The author of the article argues that long-term observation of the mass death of animals could have been a traumatic experience for the poet.
Analiza genologiczna podcastu kryminalnego na wybranych przykładach
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Dul, Beata
This article studies in detail two examples of the so-called ‘true-crime podcasts’, following the genological analysis scheme introduced by Maria Wojtak in her “Introduction to Genology”. It addresses not only their textual aspect, but also the audial part. In a broader perspective, this article attempts a systematic investigation of the ‘podcast’ in the genological context (as a relatively new and still dynamically evolving notion, it lacks a genre template) and its correlations within the mediasphere.
Geneza horroru jako gatunku
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Trofymenko, Anastasija
This article examines the origin of horror as a genre within the cluster of all horror literature genres. The structure of genological-typological evolution of these genres has been analysed. It has been proven that horror, due to its specificity, should be referred to this group of genres which are realized in literature on the basis of genre memory.
Przywołania i deskrypcje ruin w dzienniku podróży Walerii Tarnowskiej do Italii
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Mazurkowa Bożena
The main part of this study is preceded by information on the subject of dynamically increasing, since the beginning of the 18th century, participation of Polish women from wealthy houses in social life. It can be confirmed by, among others, their travels abroad to e.g. Italy with its rich resources in the form of works of art including those preserved from ancient times being of great interest then. In the main stream of investigation the author focuses on the preserved French travel journal (“Mes voyages”) of the journey that Waleria from the Stroynowskis Tarnowska undertook to Italy in years 1803–1804 with her husband Jan Feliks and her father Walerian. The analytical and interpretational considerations refer to the fragments concerning the buildings observed by the countess during her Italian journey, which were to a various degree damaged by the power of time or human activity and that was indicated by singled out synonymous terms used for ruins. The crucial aspect of this reflection is concretisation of Tarnowska’s impressions depicted in descriptions from close contact with antique and modern edifices, not too rarely preserved in a remnant form. According to the author of this study references to and descriptions of ruins in the analysed journal are the expression of not a genuine passion but rather of the influence of contemporary fashion for ancient times and great curiosity for the world during the first journey abroad and the will to see and then record in writing all that was required to see during this Italian trip. They also prove psychologically conditioned perception of wors of art.
Teatralizacje Cypriana Norwida
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Braun, Kazimierz
The article investigates selected uses of theatricality by the poet and playwright Cyprian Norwid (1821-1883). Based on his previous works on theatricality, among others, his book “Theatricality of Life. Practices and Startegies” (A. Marszałek, Toruń 2020), as well as his numerous publications on Norwid, Kazimierz Braun focuses on four, especially evident, cases of Norwid’s bringing theatricality into play in his life. They are discussed in the chapters of the article: “Norwid on Horseback, Norwid Without a Coat, Norwid in a Cap “Konfederatka”, Norwid as Dalang”. (The latter chapter compares Norwid with an Indonesian Dalang, who is a “total” artist of theatre). Each case of use of theatricality by Norwid brought about a significant literary output such as poems, dramas, short stories and letters.
„Dusza moja była pełna skarbów bożych od dawna, lecz nie było w niej miłości”. Owoce medytacji Juliusza Słowackiego
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Duszyca, Paulina
The article focuses on the meditative aspect of Juliusz Słowacki’s spiritual transformation and discusses the fruits of his meditative attitude. The poet’s correspondence became the main research material in the deliberations and findings. The work analyses successively such qualities and derivatives of the poet’s meditative lifestyle as: inner joy and delight, submission to God’s drawing action, spiritual indifference, but also such actions and activities, the specificity and essence of which turn out to be the result of a meditative act. By isolating and examining these particular effects of the act of meditation, we once again agree to the research opinion of Ewa Szczeglacka-Pawłowska that the poet fully deserves to be called homo meditans. The poet’s spiritual transgression has been described many times, however, placing it in the light of meditation allows us to extract new meanings from the issue.
„Natchnienie poezji było nie do wysłowienia ani opisania”. Uczta u Januszkiewicza i prelekcje w Collège de France wśród paryskich osobliwości w dzienniku Franciszka Salezego Gawrońskiego
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Maciąg, Kazimierz
Franciszek Salezy Gawroński (1787–1871) was a Napoleonic soldier, politician, social activist and diarist. Of particular importance in his oeuvre is his previously unpublished memoir written during his travels across Europe in the years 1839–1841. This work, written in a highly individual style, is clearly different from other non-fiction works written in the Romantic era – which is why it deserves special attention. The article consists of two parts. In the first, I present the most important information about the author of the diary and generally characterise the content of this work. In the second part I present a fragment of the diary written during his stay in Paris. At that time Gawroński met with many representatives of the Polish emigration (including Adam Mickiewicz, Adam Jerzy Czartoryski and General Henryk Dembiński) and took part in important events in the Polish community.

Przeglądaj

Przeglądanie Tematy i Konteksty 12(17) 2022 według Data dodania