Germanistische Kontexte nr 1(1)/2015


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  • Pozycja
    Brecht – ein Frauenliebling?
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Światłowski, Zbigniew
    The paper aims to describe the figure of Bert Brecht and his penchant for women. This preference of his is also reflected in the literary texts, here mainly love poems. Based on the example of some poems, Brecht's attitude toward women is discussed.
  • Pozycja
    Irrflug vom Mond. Die Metapher des Raumflugs in Karen Duves Erzählung „Keine Ahnung“
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Nesselhauf, Jonas
    The story of the nameless protagonist’s life in Karen Duve’s “Keine Ahnung” (1999) can be read as a metaphoric space flight – her escapism through drugs and her anxiety about the future both lead to a proper desire for ‘flying high’ and simultaneously her feeling of being ‘lost’ in life. This is mirrored in the alleged manned space flight of “Gemini 18”, which dramatic collapse is observed by the lethargic young woman. The reading of this modern ‘bovarysme’ considers stylistics of the German pop literature and stories of adolescence, arguing a (metaphoric) connection between the protagonist’s experience and the Cold War ‘space race’.
  • Pozycja
    Neue Funktionen der DDR-Literatur nach 1990. Einige Bemerkungen Zum Weiterbestehen der DDR-Literatur
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Jaśkiewicz, Grzegorz
    The article deals with the problem of the continued existence of the GDR literature after the German unification in 1990. Attention is drawn to new opportunities and new facets of East German literature. The discussion will also involve the relation of authors with the East German origin to GDR and German literature. New, young authors use the GDR material to process the past literature and establish their place there. Mainly, however, the question is raised about the identity-forming function of this literature.
  • Pozycja
    „Fortsetzung folgt“: Serielle Logik In Gutenbergs Typographeum
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Münkner, Jörn
    Among the aesthetic strategies of stimulating media’s reception is a serial logic. Based on two broadsheets from the early modern period, the article examines how the prompt succession and the close juxtaposition of correlating scenes structure or even determine the cognitive and aesthetic reception of the materials. The examples tend to ‘enliven’ their depiction; their serial logic fosters the reader-beholder’s expectation for more information and visual entertainment while feeding the growing print market with new supplies. The typographeum yields media intent on ‘setting in motion’ the images that are fully generated in the mind of the viewer.
  • Pozycja
    Identitätsfacetten und variationsreiche Sprechweisen im Drama „Mensch Meier“ von Franz Xaver Kroetz
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Devran, Serap
    The paper is a study of Franz Xaver Kroetz’s “Mensch Meier” dramatic scenes based on literary theory and sociolinguistics, combining the sociological approach and the methods of conversational analysis. It aims to show the ways in which the author represents social reality. To achieve this, it was established what features of language used in creating the fictional world were employed to characterize a member of the working class in his attempt to advance in society.