Germanistische Kontexte nr 1(1)/2015
URI dla tej Kolekcjihttp://repozytorium.ur.edu.pl/handle/item/2239
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Pozycja Diskursmarkierung multidimensional: Perspektiven eines Forschungsprojekts zum Deutschen, Italienischen und Englischen(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Brambilla, Marina Marzia; Crestani, ValentinaIn the following paper we aim to present our project about discourse particles in German, Italianand English. Particles (“Abtönungspartikeln”) like “den”, “ja”, “eben” are often used in German to remark the attitude of the speaker/writer. Similar particles are not present in the same way in Italian and in English. We suppose that the attitude of the speaker is expressed through other ways, which relate to cultural and social factors. These ways do not only imply verbal expressions but also nonverbal elements like gestures and facial expressions, which have not been considered in previous studies about “Abtönungspartikeln”. It is evident that multidimensional analysis can improve research about particles. Moreover, monographs and articles about “Abtönungspartikeln” consider a couple of languages like German-Spanish, German-Italian, German-French etc. but not groups of languages. Our paper is divided into two main sections. The first section gives a brief description of the theoretical basis of our research, the reasons to investigate the subject of discourse-marking elements and the corpus. The second section focuses on our main theses: 1. Contrastive linguistics has to analyse groups of languages; 2. Discourse-marking is a communicative-oriented subject, which requires the consideration of various dimensions and not only of the linguistic dimension.Pozycja „Busfahrer“, „trasporto merci“, „meat-eater“: Rektionskomposita im Deutschen, im Italienischen und im Englischen(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Crestani, ValentinaSynthetic compounds like “Busfahrer”, “trasporto merci” and “meat-eater” have not been analysed in contrastive studies but primarily in monolingual works. The lack of contrastive analysis, which take into consideration three or more languages, is evident not only from an academic perspective but also from a didactic perspective. There is a need for multilingual studies in order to avoid the risk of polar comparisons and to improve the didactic of foreign languages. Synthetic compounds are an appropriate field to apply multilingual research to, involving German, Italian and English, where they are present with terminological and categorization distinctions as well as structural differences. In my paper, I compare the status of these constructions in the three languages and I review traditional categorizations with the aim to find a systematization “super partes”, which can be adopted in contrastive German – Italian – English research. In the second step, I propose the analysis of synthetic compounds according to a word-based model approach and to morphological correspondences between words in the lexicon. I assume that the lexicon does not consist of morphemes, but it is composed of entire words and word schemas. The model accounts for compounds with the same criteria in the three languages.Pozycja Kommunikative Leistung der Funktionsverbgefüge und ihrer Stammverben im Deutschen – das Analyseverfahren(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Fejklowicz, Urszula“Funktionsverbgefüge” are described as complex predicates with characteristic morphosyntactic and semantic features. Verbo-nominal constructions are composed of a verb component and a noun component. The construction as a whole is closely related to the derivation basis of the noun component. The present study provides a comparison between constructions “beweisen vs. unter Beweis stellen“ and „kontrollieren vs. unter Kontrolle bringen/halten”. It has been tested, if language users really take advantage of “Funktionsverbgefüge” properties, their syntactic and semantic behavior. The aim of this case study was to state the syntactic and semantic properties of the two construction types and emphasize stylistic and functional benefits more precisely.Pozycja „Poetische Valenz“ in den Gedichten von Wisława Szymborska – ein Blick auf die polnisch-deutschen Kontraste(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Golonka, JoannaThe article touches upon a significant issue relating to the valency of verbs. Its main purpose is to show the factual implementation of the syntactic requirements of verb valency in the original Polish poems of the Nobel Prize winner Wisława Szymborska and in their German translation. The author does not only analyze the syntagmas involving the main verbs and their valency patterns, but it also deals with particularly numerous cases of filled and incomplete valency implementation as well as examples of „valency expansion“. The analysis shows in particular that reduced valency implementation is more widespread in the original Polish poems than in their German translations. This indicates that the translator has often added the missing complements to his translations.Pozycja Der Satz im Koreanischen(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Kostrzewa, FrankThe Korean language is an agglutinative language belonging to the Ural-Altaic language family, which follows a subject-object-verb-structure. The verbs are followed by suffixes which denote tense, aspect, mode and honorific forms. Nouns, pronouns and other non-verbal parts of speech are followed by particles which mark the role of the corresponding parts of speech in the sentence. The Korean language does not possess prepositions. Thus, the major part of grammatical relations and other functional connections, which in English are marked by prepositions as well as subordinating or coordinating conjunctions, is expressed by postpositional particles. The marking of subjects by postpositions allows subjects to appear in different parts of a sentence than the initial position. A typical Korean sentence follows the subsequent pattern: 1st Time adverbials 2nd Local adverbial (Adverbial of Place) 3rd Subject-Noun phrase 4th Dative-Noun phrase 5th Modal adverbials 6th Object-Noun phrase 7th VerbPozycja Bildlichkeit der Phraseme in der Wirtschaftssprache(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Stroisz, JaninaThe subject matter of this article is contrastive analysis of German and Polish idiomatic expressions in modern business language. Semantic analysis carried out in the article supports the crucial statement that metaphors are not only elements of literature but they also constitute a substantial part of specialised language. However, their function is different. Metaphors used in newspapers are lexicalized, which enables readers to receive specialised expressions and structures in a more understandable, expressive and aesthetic form. A significant part of the thesis is a detailed study of the examples provided from Frankfurter Allgemeine Zeitung, Handelsblatt, Wirtschaftswoche, Gazeta Wyborcza, Dziennik Gazeta Prawna and Rzeczpospolita.Pozycja Gleich-, Nach- und Vorzeitigkeitsrelationen in den als-Temporalsatzgefügen im Deutschen(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Wierzbicka, MariolaThe paper discusses ways of expressing the temporal relations of simultaneity, anteriority and posteriority in adverbial clauses with als in the German language. Although the relations can be expressed by participle phrases, noun phrases, prepositional phrases and infinitive phrases, the adverbial clause is the most frequent means of expressing the relations. The temporal adverbial clause has an almost unlimited range of application which stretches from vaguely hinted relation to absolute necessity, and from general statements and clarifications to definite emotionally motivated utterances. Wherever there is an obvious connection between facts, events, actions, relations as well as personal will and feeling, it can be expressed by means of a temporal structure.Pozycja Identitätsfacetten und variationsreiche Sprechweisen im Drama „Mensch Meier“ von Franz Xaver Kroetz(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Devran, SerapThe paper is a study of Franz Xaver Kroetz’s “Mensch Meier” dramatic scenes based on literary theory and sociolinguistics, combining the sociological approach and the methods of conversational analysis. It aims to show the ways in which the author represents social reality. To achieve this, it was established what features of language used in creating the fictional world were employed to characterize a member of the working class in his attempt to advance in society.Pozycja „Fortsetzung folgt“: Serielle Logik In Gutenbergs Typographeum(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Münkner, JörnAmong the aesthetic strategies of stimulating media’s reception is a serial logic. Based on two broadsheets from the early modern period, the article examines how the prompt succession and the close juxtaposition of correlating scenes structure or even determine the cognitive and aesthetic reception of the materials. The examples tend to ‘enliven’ their depiction; their serial logic fosters the reader-beholder’s expectation for more information and visual entertainment while feeding the growing print market with new supplies. The typographeum yields media intent on ‘setting in motion’ the images that are fully generated in the mind of the viewer.Pozycja Neue Funktionen der DDR-Literatur nach 1990. Einige Bemerkungen Zum Weiterbestehen der DDR-Literatur(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Jaśkiewicz, GrzegorzThe article deals with the problem of the continued existence of the GDR literature after the German unification in 1990. Attention is drawn to new opportunities and new facets of East German literature. The discussion will also involve the relation of authors with the East German origin to GDR and German literature. New, young authors use the GDR material to process the past literature and establish their place there. Mainly, however, the question is raised about the identity-forming function of this literature.Pozycja Irrflug vom Mond. Die Metapher des Raumflugs in Karen Duves Erzählung „Keine Ahnung“(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Nesselhauf, JonasThe story of the nameless protagonist’s life in Karen Duve’s “Keine Ahnung” (1999) can be read as a metaphoric space flight – her escapism through drugs and her anxiety about the future both lead to a proper desire for ‘flying high’ and simultaneously her feeling of being ‘lost’ in life. This is mirrored in the alleged manned space flight of “Gemini 18”, which dramatic collapse is observed by the lethargic young woman. The reading of this modern ‘bovarysme’ considers stylistics of the German pop literature and stories of adolescence, arguing a (metaphoric) connection between the protagonist’s experience and the Cold War ‘space race’.Pozycja Brecht – ein Frauenliebling?(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Światłowski, ZbigniewThe paper aims to describe the figure of Bert Brecht and his penchant for women. This preference of his is also reflected in the literary texts, here mainly love poems. Based on the example of some poems, Brecht's attitude toward women is discussed.