Warstwy Nr 2 (2018)
URI dla tej Kolekcjihttp://repozytorium.ur.edu.pl/handle/item/6263
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Pozycja 2 nd International Graphic Arts Festival w Khairagarh – Indie(Wydział Sztuki UR, 2018-12) Uchman, MagdalenaPozycja Asceza utraty – asceza nadziei. O rysunkach Zbigniewa Herberta(Wydział Sztuki UR, 2018-12) Makiel-Hędrzak, MarlenaZbigniew Herbert’s oeuvre, apart from literature, includes a number of sketchbooks, in which the poet-traveler noted down important aspects of places and works of art. What fascinated him the most was drawing, in which Herbert used characteristic, synthetic form. The fascination with letters, their forms, and further – inscriptions, is manifested here in examining the line as the most direct notation. That sphere of the poet’s work was an open dialogue with the themes of poems, completing them as it were. Both in poetry and in visual arts Herbert was interested above all in the correspondence of thoughts, in a dialogue without time limits, as thoughts and feelings are not hermetic; one cannot close them in temporal forms, they are usually dialogical. The drawings use the line which simultaneously names, synthesizes, experiences emotions, asks questions, contemplates, playing the role of a sui generis ekphrasis of nature and things.Pozycja Biennale Grafiki Studenckiej w Poznaniu (1999–2017)(Wydział Sztuki UR, 2018-12) Pawłowski, MirosławPozycja Cichy memoriał(Wydział Sztuki UR, 2018-12) Andrejkow, ArkadiuszPozycja Części i całość(Wydział Sztuki UR, 2018-12) Iskra-Paczkowska, AgnieszkaPozycja Dialog. Wystawa pedagogów Wydziału Sztuki(Wydział Sztuki UR, 2018-12) Lech-Bińczycka, AgnieszkaPozycja Dialogi, mosty...(Wydział Sztuki UR, 2018-12) Sawicka, JadwigaPozycja Dwa do kwadratu(Wydział Sztuki UR, 2018-12) Grzegorczyk, WiesławPozycja Dwie wystawy(Wydział Sztuki UR, 2018-12) Cywicki, ŁukaszPozycja Formy przejściowe(Wydział Sztuki UR, 2018-12) Bińczycki, PawełThe article is an author’s commentary on the cycle of graphics (under the same title) as well as an analysis of earlier work, indicating its significance and influence on current artistic decisions. Further on, the text describes the cycle itself, explaining the titles of particular works and justifying the decisions taken in the process of creating them. The last part, emphasizing the key moments of the process of creating graphics, describes experiences with method, dividing the process into particular stages, each of which is discussed in detail.Pozycja Grafika roku ’16(Wydział Sztuki UR, 2018-12) Dobosz, AgnieszkaPozycja Ile jest sztuki w terapii przez sztukę? Wielogłos specjalistów o teoretyczno- -praktycznych aspektach arteterapii(Wydział Sztuki UR, 2018-12) Steliga, AnnaCreation has been inextricably connected with human activity. Therefore we can, and even should, call every human a creator. These considerations have been narrowed down to a group of artists with mental disorders. Schizophrenics create as a result of their own creative needs, but also as part of art therapy. This article includes a series of opinions on art therapy: reflections on mutual relations of art and therapy voiced by experts, i. e. psychiatrists, visual artists, pedagogues, art teachers, special needs educators and art psychologists. The text also discusses the fields of art which are most frequently used in art therapy. i. e. drawing and painting. The artwork of people with mental disorders shows their mental state, presents their inner world, and art therapy can help them to improve the communication with the outer world and with themselves.Pozycja IX Edycja Konkursu o Nagrodę im. Jerzego Panka(Wydział Sztuki UR, 2018-12) Cywicki, ŁukaszPozycja Kalendarium 2017(Wydział Sztuki UR, 2018-12) Sawicka, JadwigaPozycja Krajobrazy, Strefy, Tablice. Jonasz Stern – abstrakcja biologiczna (w 30. rocznicę śmierci – przypomnienie)(Wydział Sztuki UR, 2018-12) Łątkowski, MarekThe article concerns the painting projects by Jonasz Stern, an artist whose work is part of the current of meaningful abstraction. His collage compositions present variants of seeing what gives in to transition and dematerialization. They are made up with diverse means and natural materials, opening peculiar visual spaces, with structures made up of animal bones, fish bones and skins and bird feathers. Stern’s artistic life is evidence of verifying avantgarde through a creative struggle with personal fate. What significantly influenced his art was a dramatic event from his life – surviving an execution and escaping death in the Janowski camp in Lviv. 2018 is the 30th death anniversary of the artist, who died on 2 August 1988 in Zakopane, two days before his 84 birthday.Pozycja Kto mówi – miejsce autora w filmie(Wydział Sztuki UR, 2018-12) Iskra-Paczkowska, AgnieszkaThe category of the „author” in art can be considered in a descriptive or normative sense. In the normative sense it was introduced by the so-called „author’s politics” from the 1950s and 1960s. In the descriptive sense, it is the choice of the narrative model – ”transparent” or „author’s”. The inspirations for the cinema were both self-themed threads (in the film), and the other arts: painting and literature. In conclusion, the author attempts to answer the question, what is the status of the author in contemporary cinema.Pozycja Linie i topografie(Wydział Sztuki UR, 2018-12) Makiel-Hędrzak, MarlenaPozycja Magdalena Abakanowicz w Galerii r_z(Wydział Sztuki UR, 2018-12) Iskra-Paczkowska, AgnieszkaPozycja Między sportem a sztuką. Sylwetka Wiktorii Goryńskiej(Wydział Sztuki UR, 2018-12) Szajna, GabrielThe aim of this article is to show a theoretical perspective of humanistic anthropology of sport. It discusses the self-creation of Wiktoria Goryńska’s personality and her artistic work. The text looks at the symbiosis of art and sport, using a case study, an analysis of historical facts, a comparative method and an analysis of the literature on the subject. Presenting Goryńska in the sphere of her self-expression in art and sport proves that she was extremely active socially, pursuing the common good. She is an outstanding figure in Polish culture.Pozycja Najważniejsze... Pamięci Iwony(Wydział Sztuki UR, 2018-12) Janowska-Augustyn, Joanna
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