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Opowieść o „życiopisaniu”. Portret Emily Dickinson w filmie „Cicha namiętność” Terence’a Daviesa

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Show simple item record Bobowski, Sławomir 2020-03-05T08:23:58Z 2020-03-05T08:23:58Z 2019
dc.identifier.citation Tematy i Konteksty 9(14) 2019, s. 610–635 pl_PL.UTF-8
dc.identifier.issn 2299-8365
dc.description.abstract Emily Dickinson was not married nor had children, she did not establish a family, but she had a life filled to the brim with love, friendship, suffering, death, searching for God and, of course, writing poems about all these fundamental phenomena of human existence. Her poetry reveals a picture of a woman who is unusually spiritually rich, beautiful and…unhappy, living for the bigger part of her mature existence like a hermit, oftentimes being a witness of deaths of those to whom she was closest. Additionally, perhaps because of her Sapphic inclination, she could experience suffering being forced to suppress it and feeling social isolation or exclusion. On the other hand, any reader of poems by “the nun of Amherst” can sense a great blast of happiness and some ecstatic delight over the existence itself and… the possibility of expressing this delight in poems. Just life itself and poetry were the greatest passions of Dickinson among many others which profusely filled her psyche. Indeed, it is difficult to assess which of these two infatuations was stronger. That is why I used in the title of my essay a neologism: “life-writing” (“życiopisanie”), which was some time ago first employed by the Polish poet Edward Stachura in reference to his own life and poetry. Terence Davies’s movie about Emily Dickinson and her life is a real masterpiece in which the weave of the two main passions Dickinson had, their interpenetration, their ardent intimacy or simply indissolubility and unity have been shown in a deliciously suggestive way. The essay is a modest attempt at using such a way of describing things. pl_PL.UTF-8
dc.language.iso pol pl_PL.UTF-8
dc.publisher Wydawnictwo Uniwersytetu Rzeszowskiego pl_PL.UTF-8
dc.rights Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe *
dc.rights.uri *
dc.subject Emily Dickinson pl_PL.UTF-8
dc.subject poetry pl_PL.UTF-8
dc.subject writing pl_PL.UTF-8
dc.subject life pl_PL.UTF-8
dc.subject suffering pl_PL.UTF-8
dc.subject happiness pl_PL.UTF-8
dc.subject love pl_PL.UTF-8
dc.subject Sapphic love pl_PL.UTF-8
dc.subject motherhood pl_PL.UTF-8
dc.subject fatherhood pl_PL.UTF-8
dc.subject religion pl_PL.UTF-8
dc.subject faith pl_PL.UTF-8
dc.subject mystery of God pl_PL.UTF-8
dc.subject film structure pl_PL.UTF-8
dc.subject film composition pl_PL.UTF-8
dc.subject editing pl_PL.UTF-8
dc.subject narration pl_PL.UTF-8
dc.subject poezja pl_PL.UTF-8
dc.subject pisarstwo pl_PL.UTF-8
dc.subject cierpienie pl_PL.UTF-8
dc.subject szczęście pl_PL.UTF-8
dc.subject miłość pl_PL.UTF-8
dc.subject miłość saficka pl_PL.UTF-8
dc.subject macierzyństwo pl_PL.UTF-8
dc.subject ojcostwo pl_PL.UTF-8
dc.subject religia pl_PL.UTF-8
dc.subject wiara pl_PL.UTF-8
dc.subject tajemnica Boga pl_PL.UTF-8
dc.subject struktura filmu pl_PL.UTF-8
dc.subject kompozycja pl_PL.UTF-8
dc.subject montaż pl_PL.UTF-8
dc.subject narracja pl_PL.UTF-8
dc.title Opowieść o „życiopisaniu”. Portret Emily Dickinson w filmie „Cicha namiętność” Terence’a Daviesa pl_PL.UTF-8
dc.title.alternative A Story of “Life-writing”. A Portrait of Emily Dickinson in Terence Davies’s Movie: “Quiet Passion” pl_PL.UTF-8
dc.type article pl_PL.UTF-8
dc.identifier.doi 10.15584/tik.2019.38

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