Teatralizacje Cypriana Norwida

dc.contributor.authorBraun, Kazimierz
dc.date.accessioned2022-12-29T20:50:59Z
dc.date.available2022-12-29T20:50:59Z
dc.date.issued2022-12
dc.description.abstractThe article investigates selected uses of theatricality by the poet and playwright Cyprian Norwid (1821-1883). Based on his previous works on theatricality, among others, his book “Theatricality of Life. Practices and Startegies” (A. Marszałek, Toruń 2020), as well as his numerous publications on Norwid, Kazimierz Braun focuses on four, especially evident, cases of Norwid’s bringing theatricality into play in his life. They are discussed in the chapters of the article: “Norwid on Horseback, Norwid Without a Coat, Norwid in a Cap “Konfederatka”, Norwid as Dalang”. (The latter chapter compares Norwid with an Indonesian Dalang, who is a “total” artist of theatre). Each case of use of theatricality by Norwid brought about a significant literary output such as poems, dramas, short stories and letters.eng
dc.identifier.citationTematy i Konteksty 12(17) 2022, s. 256–278
dc.identifier.doi10.15584/tik.2022.18
dc.identifier.eissn2719-8561
dc.identifier.issn2299-8365
dc.identifier.urihttps://repozytorium.ur.edu.pl/handle/item/8416
dc.language.isopol
dc.publisherWydawnictwo Uniwersytetu Rzeszowskiego
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Poland*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectCyprian Norwid
dc.subjectMaria Kalergis
dc.subjectDalang
dc.subjecttheatricality
dc.subjectmask
dc.subjectthetralizacja
dc.subjectmaska
dc.titleTeatralizacje Cypriana Norwida
dc.title.alternativeCyprian Norwid’s Use of Theatricality
dc.typearticle

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