Znaczenia pieśni w wierszu „Do obywatela Johna Brown”
| dc.contributor.author | Nurzyńska-Kozak Agnieszka | |
| dc.date.accessioned | 2022-12-29T18:05:04Z | |
| dc.date.available | 2022-12-29T18:05:04Z | |
| dc.date.issued | 2022-12 | |
| dc.description.abstract | The aim of this article was the analysis of the meanings of song and their transformations in the poem by Cyprian Norwid “Do obywatela Johna Brown”. As a result of interpretational close-ups (especially to the initial phrase and the climax of this poem) the polysemic song by Norwid appears not only as a lyrical genre, a term synonymous to poetry in general but also as an act with performative and transgressive features leading the lyrical subject – also through a specifically ‘musical’ shaping of this poem – towards the experience of epiphany of sacrum (Marian and Christological motives). | eng |
| dc.identifier.citation | Tematy i Konteksty 12(17) 2022, s. 122–133 | |
| dc.identifier.doi | 10.15584/tik.2022.8 | |
| dc.identifier.eissn | 2719-8561 | |
| dc.identifier.issn | 2299-8365 | |
| dc.identifier.uri | https://repozytorium.ur.edu.pl/handle/item/8406 | |
| dc.language.iso | pol | |
| dc.publisher | Wydawnictwo Uniwersytetu Rzeszowskiego | |
| dc.rights | Attribution-NonCommercial-NoDerivs 3.0 Poland | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
| dc.subject | Cyprian Norwid | |
| dc.subject | song | |
| dc.subject | sacralisation | |
| dc.subject | transgression | |
| dc.subject | performative act | |
| dc.subject | compassion | |
| dc.subject | Stabat Mater | |
| dc.subject | pieśń | |
| dc.subject | sakralizacja | |
| dc.subject | transgresja | |
| dc.subject | akt performatywny | |
| dc.subject | compassio | |
| dc.title | Znaczenia pieśni w wierszu „Do obywatela Johna Brown” | |
| dc.title.alternative | Significance of ‘Song’ in the Poem „Do obywatela Johna Brown” (“To the Citizen John Brown”) | |
| dc.type | article |