Wybrane zjawiska sztuki renesansu a przemiany samowiedzy człowieka epoki nowożytnej w ujęciu Charlesa Taylora

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dc.contributor.authorNowicki, Paweł
dc.date.accessioned2024-04-28T10:07:56Z
dc.date.available2024-04-28T10:07:56Z
dc.date.issued2018-12
dc.description.abstractThis article aims to discuss Charles Taylor’s views included in Sources of the Self, concerned with the changes in European art during the Renaissance presented as an outcome of the changes in the understanding of human identity. The author’s significant assumption is a thesis that historical changes in human self-knowledge find a reflection in art, especially in the construction of a painter’s plan, the position of an observer, the manner in which the observed object is presented. The answers to the questions: Who is looking? Where does the perspective open? etc. are vital for analyzing works of art treated as exempla of anthropological and epistemological problems. Important points of reference next to Taylor’s Sources of the Self are H. Wölfflin’s Principles of Art History, N. Elias’s Involvement and Detachment and Ch. Taylor’s Diálogos Taylor y Bernstein.eng
dc.identifier.citationWarstwy Nr 2 (2018), s. 14-19
dc.identifier.issn2544-4824
dc.identifier.urihttps://repozytorium.ur.edu.pl/handle/item/10435
dc.language.isopol
dc.publisherWydział Sztuki UR
dc.publisherWydawnictwo UR
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Poland*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectrenesans
dc.subjectsztuka
dc.subjecttożsamość
dc.subjectniezaangażowany obserwator
dc.subjectCharles Taylor
dc.subjectthe Renaissance
dc.subjectart
dc.subjectidentity
dc.subjectdetached observer
dc.titleWybrane zjawiska sztuki renesansu a przemiany samowiedzy człowieka epoki nowożytnej w ujęciu Charlesa Taylora
dc.title.alternativeSelected phenomena of the art of the Renaissance and the changes in the self- -knowledge of a modern man as seen by Charles Taylor
dc.typearticle
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Warstwy Nr 2 (2018)