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Anisomorphic Humour or Humorous Anisomorphism? A Case of Wordplay in Polish Translations of Shakespeare’s “Love’s Labour’s Lost”

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dc.contributor.author Krawiec, Magdalena
dc.date.accessioned 2018-03-13T10:04:22Z
dc.date.available 2018-03-13T10:04:22Z
dc.date.issued 2017
dc.identifier.citation Studia Anglica Resoviensia T. 14 (2017), s. 68–79 pl_PL.UTF-8
dc.identifier.issn 1641-7666
dc.identifier.uri http://repozytorium.ur.edu.pl/handle/item/3382
dc.description.abstract The prevalence of jocular elements in Shakespeare’s oeuvre does not cease to evoke linguists’ interest. Much as humorousness is viewed universal and ubiquitous, translation technicalities related thereto still seem to pose a challenge for translators. The notion of anisomorphism – inextricably related to rendition and perceived as one of the key constraints affecting translation of wordplay – gathered little attention both at the linguistic and pragmatic level. Therefore, the paper seeks to arrive at a succinct yet comprehensive account of anisomorphic instances. Alongside, the rationale behind the application of particular translation strategies did not go unrecognized. The discussion is predicated upon examples extracted from Shakespeare’s “Love’s Labour’s Lost”. pl_PL.UTF-8
dc.language.iso eng pl_PL.UTF-8
dc.publisher Wydawnictwo Uniwersytetu Rzeszowskiego pl_PL.UTF-8
dc.rights Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe *
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/4.0/ *
dc.subject anisomorphism pl_PL.UTF-8
dc.subject wordplay pl_PL.UTF-8
dc.subject translation pl_PL.UTF-8
dc.subject Shakespeare pl_PL.UTF-8
dc.subject humour pl_PL.UTF-8
dc.title Anisomorphic Humour or Humorous Anisomorphism? A Case of Wordplay in Polish Translations of Shakespeare’s “Love’s Labour’s Lost” pl_PL.UTF-8
dc.type article pl_PL.UTF-8
dc.identifier.doi 10.15584/sar.2017.14.6
dc.identifier.eissn 1898-8709


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