Przeglądanie według Temat "poezja religijna"
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Pozycja "Bezoar z łez ludzkich czasu powietrza morowego" Walentego Bartoszewskiego jako przykład "recepty dusznej i cielesnej” na czas zarazy(Wydawnictwo Uniwersytetu Rzeszowskiego, 2014) Pasek, MonikaThe article constitutes an attempt to interpret a little known collection of poems by the Jesuit priest from Vilnius, whose publication was both the reaction to the outbreak of plague in Vilnius between 1629–1632 and the testimony of increased religiousness in the face of the epidemic. The author presents Walenty Bartoszewski and his poetic oeuvre. She briefly describes the social background of those events. Moreover, she characterizes other texts from the 16th –18th centuries that deal with the topic of the epidemic. They include: sermons, secular works, religious songs and prayer works. The core of the article constitutes the interpretation of the collection by Bartoszewski in the context of the most important elements of the volume "Bezoar z łez ludzkich…" [”The Bezoar of Human Tears in the Time of the Plague”], which are as follows: the indication of religiousness at the beginning of the 18th century, the realities of the epidemic in a lyrical work, the vision of God and Christ, protection of the faithful against the bubonic plague, and the intercession of Mother of God.Pozycja Na marginesie edycji Baldego(Wydawnictwo Uniwersytetu Rzeszowskiego, 2014) Pieczyński, MaciejTwo early modern Polish translations of “Poema de vanitate mundi” by Jakob Balde edited by Maria Kozłowska is an important publication from the perspective of research into Baroque religious poetry, especially the Saxon times. The popularity of Balde’s poem in late Baroque can be seen not only in its subsequent editions, but also in the references to it in the works of the contemporary religious poets, including Dominik Rudnicki and Karol Mikołaj Juniewicz. In the introduction to this edition the author presents Balde as a Jesuit poet, who subordinates his writing to didactic and moralistic objectives, but at the same time strives to engage the reader’s senses, following the principles of Ignatian meditation.Pozycja “One by one we look at them”. The experience of an encounter with a religious image in poems by Jakub Ekier(Wydawnictwo Uniwersytetu Rzeszowskiego, 2014-12) Szewczyk-Haake, KatarzynaThe poems by Jakub Ekier constitute a case that is quite rare in contemporary poetry: the case when poems referring to religious paintings build, via those paintings, their own way to the truths of faith and the truths about faith. The analysed texts indicate the difference between the painting material, which makes use of light and silence, and the poetic element; at the same time it is an act of looking at an old master religious painting that becomes an inspiration for the effort to express in language the spiritual experience of modern man. The poems analysed here, and dedicated to works of religious art, do not quite fit the typologies of ekphrasis that are the most commonly applied in Polish literary studies. This is due to the multiple levels deliberately created by Ekier in his poetry, although to some extent such is probably the specificity of a larger group of ekphrases concerning religious paintings. Poetic texts referring to such works of art touch both the substance of the representations (the biblical history) and the specificity of works of visual art, capable of expressing the biblical events using their own, specific means. In the presence of both of those spheres, language – particularly the language of modernity, increasingly diverging from the sacred – is to a certain extent helpless. By means of “in-effective reference” whose object is an old master religious painting, a poem is, however, able to say something important both about the modern reading of old masterpieces and about modern religious experience, for which the common denominators are the hermeneutical conviction of an inalienable character of one’s own cognitive horizon and constant attempts to cross it.Pozycja Wędrowanie wśród wierszy – o poezji michalitki s. Dawidy Ryll(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Popielarz-Zajdel, Ewelina MariaTekst pod tytułem Wędrowanie wśród wierszy – o poezji michalitki s. Dawidy Ryll podejmuje próbę analizy i interpretacji niektórych wierszy michalitki, siostry Dawidy Ryll. Poetka, siostra zakonna, w swoich wierszach odwołuje się do sacrum. Pisze o rzeczywistości, która nas otacza, o cierpieniu czy wątpliwościach, ale zawsze w jej poezji najważniejszy jest Bóg. Poezja jest zatem także świadectwem wiary michalitki.