Przeglądanie według Autor "Rutka, Anna"

Aktualnie wyświetlane 1 - 3 z 3

„Annehmen. Akzeptieren. Damit leben. Nicht vergessen. Sich erinnern.“ Subversive Erinnerungsverschiebungen der Post-Shoah-Generation in Mirna Funks Roman "Winternähe“ (2015)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Rutka, Anna
The debut novel „Winternähe” by the young German-Jewish author Mirna Funk is a paradigmatic illustration of the post Shoah literature of the third, the grandchildren generation. The novel expounds on against background of the death of Shoah-survivors, the new ways of dealing with the family past and transnational Shoah memory in a complex relation to the globality and mobility as current conditions of the modern life. Funk’s novel also expounds on the subversive strategies, which are inherent in modern virtual communication media like Facebook or Instagram.
„Auch wir sind das Volk“1. Zu Einwanderung und Ankommen in essayistischen Texten der jungen postmigrantischen Generation in Deutschland
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2019) Rutka, Anna
The paper provides an analysis of three essayistic works of the young post-immigrant generation representatives: Lena Gorelik, Jagoda Marinić and Maxi Obexer. The significant affinity of the essayistic texts consists in the intercultural and self-reflexive perspective of the authors who expound issues related to traditional classifications and terms of culture alterity and diversity. The essays put issues of the language, designation and acceptance within the context of the current migration movements in the focus of attention. For the three authors who are established in the interculturality it is of great importance to present and reflect upon the contingency of discourses which are attributed to the essentialism culture concepts, and also to question and update the inherited terminology of the current integration discourse.
Fantastyka i parafrazy. O dyskursie pamięci w twórczości pisarzy młodego pokolenia – Łukasz Orbitowski Widma (2012) i Paweł Demirski Niech żyje wojna! (2011)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Rutka, Anna
The present article discusses works by Łukasz Orbitowski and Paweł Demirski, two authors representing the young generation of Polish writers whose texts stand in the opposition to a worn-out and highly ritualised trend of national-symbolic interpretations of memory. The debunking literary strategy of both authors relies heavily on the aesthetics of subversion. Choosing for 'Spectres' the genre of historical fantasy, Łukasz Orbitowski provides himself with a vast space of artistic freedom, using it for free reinterpretations and continuations of the existing narratives of memory. The theatre of Paweł Demirski and Monika Strzępka, in turn, is a theatre of linguistic performance which clashes sequences of language that transmit historical imagination and national self-awareness of Poles. In Demirski’s play theatre becomes a medium of protest against fossilised forms of memory, where graphically staged painful trauma is deprived of the aura of sacrum. Triviality and vulgarism of language demolish both the elevated phrases of the national culture of memory and the naïve pop-cultural representations of war and the Warsaw Uprising.