Polski system producencki. Rola producenta filmowego

dc.contributor.authorBożek, Małgorzata
dc.date.accessioned2020-06-16T11:48:28Z
dc.date.available2020-06-16T11:48:28Z
dc.date.issued2019
dc.description.abstractThe Polish film system is characterized by a variety of forms. Michał Zabłocki, the author of the comprehensive study of the „Organization of the production of feature film in Poland”, isolates two models of world cinema: producer and producer-director. The first one features the dominant role of the producer, which means the person who is responible for the work of all the film departments- direction, cinematography, production management, scenography and costume design. The second one, the model which is still the most popular in Poland, assumes close cooperation between the producer and the director.pl_PL.UTF-8
dc.identifier.citationDydaktyka Polonistyczna, nr 5(14)2019, s. 240–247pl_PL.UTF-8
dc.identifier.doi10.15584/dyd.pol.14.2019.18
dc.identifier.issn2451-0939
dc.identifier.urihttp://repozytorium.ur.edu.pl/handle/item/5568
dc.language.isopolpl_PL.UTF-8
dc.publisherWydawnictwo Uniwersytetu Rzeszowskiegopl_PL.UTF-8
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectPolish film systempl_PL.UTF-8
dc.subjectmodels of worlds cinemapl_PL.UTF-8
dc.subjectrole of film producentpl_PL.UTF-8
dc.titlePolski system producencki. Rola producenta filmowegopl_PL.UTF-8
dc.typearticlepl_PL.UTF-8

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