Krajobrazy, Strefy, Tablice. Jonasz Stern – abstrakcja biologiczna (w 30. rocznicę śmierci – przypomnienie)

dc.contributor.authorŁątkowski, Marek
dc.date.accessioned2024-05-03T08:52:00Z
dc.date.available2024-05-03T08:52:00Z
dc.date.issued2018-12
dc.description.abstractThe article concerns the painting projects by Jonasz Stern, an artist whose work is part of the current of meaningful abstraction. His collage compositions present variants of seeing what gives in to transition and dematerialization. They are made up with diverse means and natural materials, opening peculiar visual spaces, with structures made up of animal bones, fish bones and skins and bird feathers. Stern’s artistic life is evidence of verifying avantgarde through a creative struggle with personal fate. What significantly influenced his art was a dramatic event from his life – surviving an execution and escaping death in the Janowski camp in Lviv. 2018 is the 30th death anniversary of the artist, who died on 2 August 1988 in Zakopane, two days before his 84 birthday.eng
dc.identifier.citationWarstwy Nr 2 (2018), s. 100-102
dc.identifier.issn2544-4824
dc.identifier.urihttps://repozytorium.ur.edu.pl/handle/item/10450
dc.language.isopol
dc.publisherWydział Sztuki UR
dc.publisherWydawnictwo UR
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Poland*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectJonasz Stern
dc.subjectabstrakcja biologiczna
dc.subjectasamblaż
dc.subjectmalarstwo
dc.subjectmalarstwo współczesne
dc.subjectbiological abstraction
dc.subjectassemblage
dc.subjectpainting
dc.subjectcontemporary painting
dc.titleKrajobrazy, Strefy, Tablice. Jonasz Stern – abstrakcja biologiczna (w 30. rocznicę śmierci – przypomnienie)
dc.title.alternativeLandscapes, zones, boards. Jonasz Stern – biological abstraction (reminiscence in the 30th death anniversary)
dc.typearticle

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