Streaming. O doświadczaniu muzyki w czasie pandemii

dc.contributor.authorKokowska, Mariola
dc.date.accessioned2024-10-18T09:03:50Z
dc.date.available2024-10-18T09:03:50Z
dc.date.issued2024-10
dc.description.abstractThe aim of this article is to present issues related to the experience of musical art in the digital age and the COVID-19 pandemic. The core issue includes the perspective of the streaming mode of experiencing music during the pandemic, against which the context of phenomenological aesthetic experience in the form of the virtual concert, the virtual concert hall and the aspect of the virtual voice assistant is addressed. The social-therapeutic dimension of music suggests references to the adaptive role of virtual forms of communicating musical content present in the pandemic era. Music and the human being are linked by the need for the communal shaping of interpersonal relationships through the digitisation of experience and performance practice as activated by a specific crisis situation initiated by the objective external world.eng
dc.identifier.citationMuzyka w Kontekście Pedagogicznym, Społecznym i Kulturowym 4 / 2024, s. 136-170
dc.identifier.doi10.15584/muzpsk.2024.4.8
dc.identifier.issn2719-4213
dc.identifier.urihttps://repozytorium.ur.edu.pl/handle/item/10928
dc.language.isopol
dc.publisherWydawnictwo Uniwersytetu Rzeszowskiego
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internationalen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectmusic experience
dc.subjectstreaming
dc.subjectvirtual concert
dc.titleStreaming. O doświadczaniu muzyki w czasie pandemii
dc.title.alternativeStreaming. On Experiencing Music During a Pandemic
dc.typearticle

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