Streaming. O doświadczaniu muzyki w czasie pandemii

Abstract

The aim of this article is to present issues related to the experience of musical art in the digital age and the COVID-19 pandemic. The core issue includes the perspective of the streaming mode of experiencing music during the pandemic, against which the context of phenomenological aesthetic experience in the form of the virtual concert, the virtual concert hall and the aspect of the virtual voice assistant is addressed. The social-therapeutic dimension of music suggests references to the adaptive role of virtual forms of communicating musical content present in the pandemic era. Music and the human being are linked by the need for the communal shaping of interpersonal relationships through the digitisation of experience and performance practice as activated by a specific crisis situation initiated by the objective external world.