Przeglądanie według Autor "Trygar, Barbara"

Aktualnie wyświetlane 1 - 7 z 7

Aller plus loin dans vos peintures... O Portrecie Czapskiego Wojciecha Karpińskiego
(Instytut Sztuk Pięknych Uniwersytetu Rzeszowskiego, 2019-12) Trygar, Barbara
The article analyzes the book A Portrait of Czapski by Wojciech Karpiński. In the first part the author describes Czapski’s life and artistic work and in the second one, his paintings, The Boy in Front of de Staël and Self-portrait in the Mirror (Mirrors). Czapski interprets the world using geometric figures; they help him to show the tension between the sacred and the profane, at the same time marking out the direction and way to genuine values. Czapski experiences beauty the moment he discovers truth in a work of art.
„Euarmostia kai aglaja” w pismach Isaiaha Berlina, Nicoli Chiaromontego i Wojciecha Karpińskiego, czyli filozoficzno-literacka triangulacja
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2020) Trygar, Barbara
Isaiah Berlin – brytyjski filozof i historyk idei, Nicola Chiaromonte – włoski eseista i działacz antyfaszystowski, Wojciech Karpiński – polski pisarz i krytyk literacki, przedstawiciele takich dziedzin, jak: filozofia, kultura i literatura. Dzielą ich granice geograficzne, czasowe i światopoglądowe, ale łączy poszukiwanie wartości. Dzieła Berlina, Chiaromontego i Karpińskiego skłaniają do pogłębionej refleksji nad kwestiami aksjologicznymi. Wolność, Prawda i Piękno są kluczem do tajemnicy człowieka. Sztuka odsłania głębszy sens życia i bytu. Ukazuje również relacje między człowiekiem a światem, kulturą i drugim człowiekiem. Twórczość jest niezbędna, aby wartości mogły istnieć w świecie, jak również, żeby człowiek budował siebie jako wartość.
Model koneksjonistyczny w pracy reportera na przykładzie „Wież z kamienia” Wojciecha Jagielskiego
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Trygar, Barbara
Showing is a purpose of the present article connectionist of approaching the modelling of mechanisms of the cognitive development at the journalist. It is the attempt to show as the brain, the body and the environment are cooperating in the destination of getting, creating and the transmission of information by the reporter. Models connectionist is manifesting itself above all in creating models of mechanisms of the development, referring to principles of the processing of information by neural networks, and from here enough enough clearly for they can to be surrendered for direct checking results on the road of the simulation and comparing achieved with empirical data. Wojciech Jagielski journalist, reporter, correspondent in the book from the stone described Towers conflict among two Chechen leaders, with supporter of Szamilem terrorist attacks with Basajew and prudent and pragmatic colonel Asłan Maschadow. Jagielski stayed in Chechens a few weeks what let him for thorough getting to know that environment. A fate divided civilians, participated in secret meetings with leaders of guerrillas, talked to most urgently guarded commanders and getting the amazing frankness out of them, even stopped in the fire of the fight. The knowledge, with which a neural network is getting the reporter as a result of the learning, is encrypted in scales of connections between individuals. Importances of mergers are just determining it way, into which entrance images are being copied to initial insults.
“Nella cerchia degli incontri italo-polacchi”. Eseje Nicola Chiaromontego w perspektywie teorii skopos
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2020) Trygar, Barbara
The article discusses the essays by Nicola Chiaromonte analyzed from the perspective of the skopos theory. According to this theory, translator of any text should take into consideration the cultural context of work he renders in another language, its axiological aspect as well as requirements of its recipients. The dialogue Chiaromonte had with his Italian readers has been transferred into Polish literary discourse by Wojciech Karpiński. The translations he produced provide their Polish recipients with such a vision of the Italian author, his way of understanding the world, oneself and other people, that the essays in Polish clearly reveal a new usage and intellectual potential of ancient philosophical and artistic legacy.
Pogranicze polsko-niemieckie w powieści „Tunel” Magdaleny Parys w perspektywie poetyki intersubiektywnej
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2018) Trygar, Barbara
A borderland is a special place, in which he is seeking the multilateral inspection “I” and surrounding “I” reality, perceptions other as similar to oneself, and at the same time autonomous in one’s individuality. In the article I am reading the novel out Tunnel of Magdalena Parys in the prospect of intersubjective poetics. An intersubjectivity is an awareness of directing at being in the human environment, in which the agreement is playing a great role social-cultural. In analysis I am paying attention particularly to the narration in the novel Tunnel narration, emphasizing the cognitive dimension which is rooted in human mental abilities for her. Our awareness is functioning under the procedure for permanent directing at the participation other - perceived presence with senses, secondarily encoded in language, conditioning our social behaviour and communications practice. The project of the tunnel is stopping being a decoration, and is becoming a process of penetrating into the concealed ability to understanding any created space by the man and understanding oneself.
Post-fenomenologiczna narracja w powieści Bieguni Olgi Tokarczuk
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Trygar, Barbara
In the paper we make an attempt to read out the post-phenomenology of Henri Maldiney in the novel 'Bieguni'. Maldiney’s post-phenomenology is not treated as a doctrine, but an action and an activity made against the elements of psychoanalysis and postmodernism. The world depicted in 'Bieguni' is one in which we can observe continuous movement and compulsion. The border between the entity and the world they are living in has been erased. It is the world in which a man has to choose his identity. “Being on one’s way” opens a person to new experiences and inspires him/her to some creative actions. Neither the nomadic thinking nor the format of writing are growing; not in some determined theoretical place, and not either in some well-defined writing style. The identity of the individual seems to be set, and formed only by his self-understanding. Tokarczuk’s 'Bieguni' is becoming part of an important discourse on the literature of the 21st century. It is not necessary to consider narrations only in the aesthetic context, which is cleaning the world up, but as the act of mind turning life into art. Every man is a wanderer travelling not only in the physical but also cultural dimension, and such journeys have both literal and metaphorical meanings. A walk consisting of seeking oneself as an artist, spiritual and intellectual travel, and exploring the world of symbols, are the professional domain of authors, and at the same time an excerpt of their mythology.
Veritas sequitur esse rei... Biczowanie Piero della Francesca Diegesis w Pamięci Włoch Wojciecha Karpińskiego
(Wydział Sztuki UR, 2018-12) Trygar, Barbara
This article is concerned with the text A Memory of Italy by Wojciech Karpiński, in which the author refers to the painting Flagellation by Piero della Francesca. The author of the article analyzes Karpiński’s reflections on the painting in the context of the philosophy of Saint Thomas Aquinas. In the painting the linear structure is important (the methodology of mathematical proceedings, among others according to Plato), the situation, the degree of distance which determines the perception of things, people and the world in the literal, spatial, and also metaphorical and psychological sense. The sensual cognition of corpus mysticum Christi is the starting point of epistemology, a key moment of the theory of the cognition of God.