Przeglądanie według Temat "tragedy"

Aktualnie wyświetlane 1 - 5 z 5

"Komedia" Apolla Nałęcz-Korzeniowskiego wczoraj i dziś (rozważania na temat miejsca utworu w literaturze)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2023-12) Samsel, Karol
"Komedia" Apolla Nałęcz-Korzeniowskiego wydaje się aż po dziś dzień utworem niedostatecznie albo wręcz – niewłaściwie – sproblematyzowanym. Problemy zaczynają się już na etapie dyskusji o gatunkowej przynależności tekstu: czy to dramat obyczajowy, czy stylizowana nieco po schillerowsku – w duchu "Intrygi i miłości" – nowoczesna, kupiecko-przemysłowa tragedia? Mimo zupełnej trafności sądu Romana Taborskiego o podobieństwach formalnych pomiędzy "Komedią" a "Fantazym" Juliusza Słowackiego, nie zwrócono żadnej uwagi na powstające w tym samym czasie dojrzałe dramatopisarstwo Aleksandra Fredry (np. na "Wychowankę"), a to właśnie – jak wiele na to wskazuje – intrygująca oraz inspirująca para porównawcza dla wciąż domagającej się trafnego literaturoznawczego komentarza sztuki Korzeniowskiego.
Literackie narracje o kolekcjach
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Skorupa, Ewa
The article concerns collections and collecting as a literary theme. Research on this issue should be undertaken by literary scholars, as collections support the characteristics of literary characters and give heroes their identity. The work analyzed from this angle is “Money” by Andrzej Strug from the year 1914. It interprets and describes three different collections and three different collectors: the eccentric Lyttons and their museum of stones, Lucy Slazenger’s precious jewelry collection and the art collection of Osias Murwaya, an enthusiast of antiquity.
Literary Narratives on Collections
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2020) Skorupa, Ewa
The article deals with collections and collecting as a literary theme. Research on this issue should be undertaken by literary scholars, as collections support the features of literary characters and give protagonists their identity. The work analysed from this angle is “Money” by Andrzej Strug from 1914. It interprets and describes three different collections and three different collectors: the eccentric Lyttons and their museum of stones, Lucy Slazenger’s precious jewellery collection and the art collection of Osias Murway, an enthusiast of antiquities.
Tragedia Saul Vittorio Alfieriego w adaptacji Wojciecha Bogusławskiego. Rekonesans badawczy
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2016) Purgał, Liwia
The work of Wojciech Bogusławski, adaptation from the tragedy by Vittorio Alfieri, depicts two characters who present their arguments to each other. King Saul is characterized by cruelty and quite pathological pride, whereas David, his adversary, is noble, valiant and ready to sacrifice himself for the good of his country. The events of the tragedy are modelled after the biblical story of King Saul, who is abandoned by the spirit of God, and David, favoured with the blessing of the Creator, presented in the First Book of Samuel. Yet, the tragedy of Alfieri-Bogusławski is not only a rephrased version of the biblical text because the time of the plot begins when the story in the Bible finishes. The biblical events in the tragedy are shown in flashback. The paper is a research reconnaissance, as it presents fundamental remarks on the interpretation of the tragedy and suggestions for further study, especially concerning the function of the characters’ performance. Further examination is needed of the technique used by Bogusławski in adapting the work of Alfieri, and of the translation. The paper only presents general characteristics of the Polish translator’s decisions. Boguławski himself was aware of the consequences of translating a rhyming piece as prose. He strove to write concisely, to salvage the depth of thought and the expressive power of the original, to preserve most of the language, which would enable accurate communication with the reader, delight of the audiences, compassion for the characters, pity, fear, and thus to recreate high style in order to reproduce the category of grandeur, pathos and heroism. From the analysis of selected aspects of Bogusławski’s literary technique and artistry, it appears that the tragedy is an artistically mature piece and should be subject to further, more detailed study.
Трагедия А.С. Хомякова «Ермак»: религиософское рассуждение, стилизация под сибирский колорит или намеренное упрощение национального вопроса
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2024) Прокофьева, Катерина Анатоліївна
We analyze a drama work as a carrier of religious and philosophical points. In the play on the background of a historical event, the opinion about the gods as the land protectors, who revenge the conquerors, is stated. The study of the historical and religious-philosophical layers of interaction of the work results in the conclusion that the semantics expands in the play, which has traditionally been considered as “boring” by the researchers and related to the “second” literary series.