Przeglądanie według Temat "kreacja"

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Modele zastępcze
(Instytut Sztuk Pięknych Uniwersytetu Rzeszowskiego, 2019-12) Woroniec jr, Piotr
The article presents a set of works which are a reflection upon and, to some extent, a summary of the author’s previous accomplishments from the period of his fascination with Constructivism, the austere anti-aesthetic variation of geometric abstraction. An important question here is spontaneity of the painter’s actions or “switching off” consciousness in the creative act, which may lead to surprising results. Correcting chance means lending it author’s qualities. Chance is an important form-creating value in art, particularly modernist art (action painting, Art Informel, Tachisme). At the stage of building the first layer, substitute models used the element of chance through the action-painting method. The spontaneous image corrected at the second stage sanctioned the randomness function of the previous layer of painting matter. Both layers in a permanent dispute formed the outer matter and could exist only as a bond between those actions. For the artist they are a picture of a changing painter’s experience, just like flowing reality changes before our eyes.
Moje najdroższe kobiety (o kobietach w życiu Adolfa Dygasińskiego na podstawie epistolografii)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Niekra, Magdalena
Dygasiński’s image created on the basis of his writing seems to be quite schematic. The paper is an attempt to look at the writer from a different perspective. We focus on the relationships between the writer and women who were most important in his life, namely his mother, sisters, lover, wife and daughter. Dygasiński’s private epistolography, which serves as research material, allows us to present both the portraits of the above-mentioned women and the writer’s opinions on women’s issues. It turns out that experiences connected with women had a considerable influence on Dygasiński’s life and it is possible that they influenced on the way the writer created the heroines in his novels. However, this problem needs further examination.
Poetyka – estetyka – metafizyka
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2013) Gadamska-Serafin, Renata
The modern era has developed poetics very different from Plato’s philosophy of objective beauty and generally inconsistent with or at least indifferent to metaphysics (Baumgarten, Kant). Also romanticists, especially those whose theoretical and literary thought followed the German idealism, were often detached from metaphysical ground (in its proper sense). The natural consequence of choosing this particular way of thinking in the modern paradigm in the 20th century has been the postmodern polyphony in literary theory. A separate and a very mature attitude regarding the form of poetics and its theoretical considerations has been adopted by the author of "Rzecz o wolności słowa" ("About the Freedom of the Word"), who referred to the metaphysical category of "mimesis" (closely linked to his concept of man – "imago Dei") and returned to the concept of objective beauty ("Promethidion"), thus radically overcoming the weakness of modern poetics.