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Literackie obrazy socjalistycznej Warszawy i frankistowskiego Madrytu w perspektywie geopoetyki i komparatystyki. Przykład powieści „Zły” Leopolda Tyrmanda i „Ul” Camilo José Celi
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2019) Rombel, Maria
The paper aims to juxtapose the literary portrayals of the socialist Warsaw and Francoist Madrid depicted in two postwar novels: “The Man with the White Eyes” by Leopold Tyrmand and “The Hive” by Camilo José Cela1, respectively. The starting point for the considerations is geopoetics and, more precisely, the concept of the sensory and emotive topographies. It is intended to demonstrate that the approach in question provides the tools adequate to analyse the configuration of Warsaw’s and Madrid’s urban spaces portrayed in Polish novels from the Polish People’s Republic period and Spanish novels from the Francoism period. The comparative approach, in turn, enables the juxtaposing of the research objects and gathering of the data useful for the purposes of Polish-Spanish intercultural studies, such as intercultural communication studies.
Twórca wobec przestrzeni i czasu. Przyczynek do rozważań o filozofii mobilności Andrzeja Stasiuka
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2015) Setlak, Wiesław
For the last decade Andrzej Stasiuk’s prose has focused on description and interpretation of the author’s numerous journeys to central and Eastern European countries, the Balkans and Asia. He talks about them with his characteristic literary disposition, thus creating a specific genre which can be defined as ‘a wanderer’s diary’ or ‘travel story’. In such works as 'Going to Babadag' (2006), 'There are no expresses by the yellow roads' (2013) or 'The East' (2014), the relational layer maintained in the convention of literary reportage co-exists in an active way with the reflective layer, the artistic projection of which is the clearly marked cultural and spatial nature and the teleology of dynamic existence within its frame requires intellectual mobility in comparing distinguishing features of the Oriental and Occidental cultural systems. The author is clearly in favour of the former – it is the basic territory of his existence as a human being and an artist. Andrzej Stasiuk’s philosophy of mobility marked by nomadic thinking obviously clashes with the desire for balance in the world and his intellect rejects both the opportunity of ‘an escape to the utopia’ and acceptance of what is happening in his territory.