Przeglądanie według Temat "Zbigniew Herbert"

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Asceza utraty – asceza nadziei. O rysunkach Zbigniewa Herberta
(Wydział Sztuki UR, 2018-12) Makiel-Hędrzak, Marlena
Zbigniew Herbert’s oeuvre, apart from literature, includes a number of sketchbooks, in which the poet-traveler noted down important aspects of places and works of art. What fascinated him the most was drawing, in which Herbert used characteristic, synthetic form. The fascination with letters, their forms, and further – inscriptions, is manifested here in examining the line as the most direct notation. That sphere of the poet’s work was an open dialogue with the themes of poems, completing them as it were. Both in poetry and in visual arts Herbert was interested above all in the correspondence of thoughts, in a dialogue without time limits, as thoughts and feelings are not hermetic; one cannot close them in temporal forms, they are usually dialogical. The drawings use the line which simultaneously names, synthesizes, experiences emotions, asks questions, contemplates, playing the role of a sui generis ekphrasis of nature and things.
Po co poetom Średniowiecze? Różewicz – Herbert – Miłosz
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2020) Regiewicz, Adam
The paper attempts to describe the concept of the medieval period built by Polish poets: Tadeusz Różewicz, Zbigniew Herbert and Czesław Miłosz. The authors use this concept for the evaluation of contemporary times. The image of the Middle Ages is, on the one hand, an ethical concept abounding in references to the category of Heritage (civilisational and spiritual), and on the other hand, a dark period in which the individual and the human God become lost. The poets prefer using Enlightenment and Romantic clichés, creating a clear ideological view by means of them.
Toutes proportions gardées
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2020) Sabo-Walsh, Roman
The author poses a question about what actually is lost in inadequate translations. An elegiac poem by Seamus Heaney, dedicated to the memory of Zbigniew Herbert, is used as an example. The author demonstrates to what degree deficient translation may lead to incorrect comprehension of the poet’s undertaking, and may contribute to wanting interpretations of the poem.
Władza nad martwą naturą. Cézanne Herberta
(Wydział Sztuki UR, 2018-12) Adamowska, Joanna
This article is an interpretation of Zbigniew Herbert’s poem Still Life, taking into account a lot of contexts, e. g. the references to Cézanne’s life, work and its reception present in the poem, Herbert’s other opinions on the artist’s work, as well as the earlier interpretations of the poem (by Roman Bobryk and Magdalena Sniedziewska). The author of the article shows how in the poem on Cézanne Herbert presents one of the major problems of his own work, i. e. the relations between art and transcendence, between the divine and the human.