Przeglądanie według Temat "Norwid Cyprian"

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Cyprian Kamil Norwid: „Fortepian Szopena”
(Wydawnictwo Piotra Marciszuka STENTOR, 1999) Stanisz, Marek
Kulturowy wymiar „Za kulisami” Cypriana Norwida
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2013) Braun, Kazimierz
The article constitutes a chapter from the book “Mój teatr Norwida” (“My theatre of Norwid”) by Kazimierz Braun, prepared for the publication by the University of Rzeszów publishing house. The article contains the analysis of “Behind the scenes” by Norwid from the point of view of the history of culture, drama and theatre. At the same time, the article refers to the author’s experience who – as the director – staged the play at the TV Theatre in Warsaw (in 1966) and at the Juliusz Słowacki Theatre in Cracow (in 1970).
„Lud «Koranu» – lud «Ewangelii»”. Norwid o genezie islamu i historii relacji chrześcijańsko-muzułmańskich
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2016) Gadamska-Serafin, Renata
In addition to the western Mediterranean culture, Cyprian Kamil Norwid’s cultural interests also include the world of Islam and the civilization of the East. As emerges from the poet’s surviving letters and notes, his interest focused mainly on the question of the origins of the Muslim religion and the centuries-old history of Christian-Muslim relations. As a descendant of King John III Sobieski, the victor over Turks at Vienna, and an avid reader of "Jerusalem Delivered" by Tasso, Norwid simply could not neglect this issue in his ruminations and studies. His notes on Islam in "Album Orbis" were illustrated with many graphics and drawings related to eastern themes. It seems that Norwid’s historical approach to Muslim issues was to a large extent shaped by some patristic sources, and first of all by writings of Saint John of Damascus, rather than by his contemporary scientific or travelogue orientalism.
Poetyka – estetyka – metafizyka
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2013) Gadamska-Serafin, Renata
The modern era has developed poetics very different from Plato’s philosophy of objective beauty and generally inconsistent with or at least indifferent to metaphysics (Baumgarten, Kant). Also romanticists, especially those whose theoretical and literary thought followed the German idealism, were often detached from metaphysical ground (in its proper sense). The natural consequence of choosing this particular way of thinking in the modern paradigm in the 20th century has been the postmodern polyphony in literary theory. A separate and a very mature attitude regarding the form of poetics and its theoretical considerations has been adopted by the author of "Rzecz o wolności słowa" ("About the Freedom of the Word"), who referred to the metaphysical category of "mimesis" (closely linked to his concept of man – "imago Dei") and returned to the concept of objective beauty ("Promethidion"), thus radically overcoming the weakness of modern poetics.
„Promethidion” Cypriana Norwida i „List do artystów” Jana Pawła II, czyli rozważania o pięknie prawdziwym
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Gadamska-Serafin, Renata
Two voices of Polish thinkers and poets on true beauty – “Promethidion” by Cyprian Norwid and “Letter to artists” by John Paul II – are related to each other in the thought on the soteriological character of beauty which triumphantly leads the man beyond his poverty and the perspective of a fall. Both texts were written despite the dominating philosophical currents of their times. Norwid denied hedonism and fuctionalism, and John Paul II’s message from "Letter to artists" remains in principal intellectual opposition to the ‘culture of death’ and postmodern esthetical relativity. Norwid’s thought about beauty is also placed in opposition to promoted by the 20th-century avant-garde and taken over by postmodernism category of ‘originality’. The place of the significant for modernity subjectivism and esthetical relativism is taken over by ‘esthetical personalism’ in the works of the recluse from Paris.