Przeglądanie według Temat "Bible"

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Biblijne motywacje ekologiczne
(Uniwersytet Rzeszowski: Południowo-Wschodni Oddział Polskiego Towarzystwa Inżynierii Ekologicznej z siedzibą w Rzeszowie, 2021) Kasprzak, Krzysztof
Przygotowanie eseju poprzedziło postawienie tezy: Przyroda jest dla człowieka czymś ważnym, wręcz sacrum, na co liczne argumenty znaleźć można także w Biblii. Skompletowano materiał bibliograficzny; w tym przestudiowano Pismo Święte Starego i Nowego Testamentu. Po sformułowaniu problemu badawczego, rozważono w nim; motywacje do działań związanych z ochroną Przyrody, biblijne pouczenia np. „Obóz Twoim sacrum” i bogactwo treści teologicznych wokół „ aby nic nie zginęło”.
Kafkowski tryptyk interpretacyjny: opowiadanie „Przemiana”
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2021) Moreno-Szypowska, Jadwiga Clea
The article presents the allegorical novella “The Metamorphosis” of Franz Kafka from a biblical perspective. The main character, Gregor Samsa, is compared to Job and Jesus, the New Adam, and his father to God. The images emerging in the text reveal their hidden meaning, which in a surprising way shows the connection with the “Holy Scriptures”, both with the “Old” and “New Testaments”, which may be surprising in the case of a Jewish writer from the Vltava River. The author uses Kafka’s other writings, including “Letter to His Father”, to demonstrate the autobiographical sources. Gregor Samsa–Franz Kafka sacrifices himself to the Father’s glory. The whole interpretation is inscribed in the philosophy of the Danish thinker – Søren Kierkegaard.
Nawrócenie jako temat poezji – droga Romana Brandstaettera do chrześcijaństwa
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2019) Wasielewska, Magdalena
The article discusses the subject of conversion as a subject of poetry on the example of the work of Roman Brandstaetter. It focused on the post-war creativity of the author, who in 1946 officially abandoned Judaism, received baptism and became a Catholic. Focused on two aspects of conversion. First of all, these were the circumstances of life: the need to leave the country, problems related to the Polish-Jewish identity, death of parents, parting with the first wife. Secondly, these were issues related to the biblical experience of God, because reading the Bible had a great significance for the poet since the time of Polish studies. Confirmations of the issue are confirmed by quotes from works that are testimonies of changes taking place in the author’s life, making up a rich picture of his spiritual transformation.
Trąd w porządku teologicznym „Zwiastowania” Paula Claudela
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2021) Kucab, Mateusz
The article analyses the issue of leprosy as a sign of accepting God’s will, which comes from the order of faith and is far from rational. Being infected with the disease by the main character symbolizes the boundless trust of Providence and the recognition of her life calling. Although affliction is a source of exclusion and fear from the community, for the girl it is an expression of love and an honor to participate in the Creator’s plan. Leprosy, causing great medieval epidemics, is not only important for the dramaturgy, but also for the ideological significance of the work, which is helped by the references to the philosophical writings of Paul Claudel.
Tragedia Saul Vittorio Alfieriego w adaptacji Wojciecha Bogusławskiego. Rekonesans badawczy
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2016) Purgał, Liwia
The work of Wojciech Bogusławski, adaptation from the tragedy by Vittorio Alfieri, depicts two characters who present their arguments to each other. King Saul is characterized by cruelty and quite pathological pride, whereas David, his adversary, is noble, valiant and ready to sacrifice himself for the good of his country. The events of the tragedy are modelled after the biblical story of King Saul, who is abandoned by the spirit of God, and David, favoured with the blessing of the Creator, presented in the First Book of Samuel. Yet, the tragedy of Alfieri-Bogusławski is not only a rephrased version of the biblical text because the time of the plot begins when the story in the Bible finishes. The biblical events in the tragedy are shown in flashback. The paper is a research reconnaissance, as it presents fundamental remarks on the interpretation of the tragedy and suggestions for further study, especially concerning the function of the characters’ performance. Further examination is needed of the technique used by Bogusławski in adapting the work of Alfieri, and of the translation. The paper only presents general characteristics of the Polish translator’s decisions. Boguławski himself was aware of the consequences of translating a rhyming piece as prose. He strove to write concisely, to salvage the depth of thought and the expressive power of the original, to preserve most of the language, which would enable accurate communication with the reader, delight of the audiences, compassion for the characters, pity, fear, and thus to recreate high style in order to reproduce the category of grandeur, pathos and heroism. From the analysis of selected aspects of Bogusławski’s literary technique and artistry, it appears that the tragedy is an artistically mature piece and should be subject to further, more detailed study.