Przeglądanie według Autor "Kucab, Mateusz"

Aktualnie wyświetlane 1 - 3 z 3

Lalka i nieobecność. Kilka uwag o bohaterach „Wampira” Władysława Stanisława Reymonta
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2019) Kucab, Mateusz
The article attempts to determine in synthetic way the most relevant spaces of choice as well as activities of the characters of “The Vampire” by Władysław Stanisław Reymont. Disputing with other researchers, we try to portray the characters as thespians who are subordinate to the mechanism of theatre (theatricality) as well as enmeshed with relations of dominance and exploitation (vampiric situation). Having compared the novel with selected dramas by Henrik Ibsen, we demonstrate parallels in subjects and issues that were drawn out by the dramaturgy of the epoch: illusoriness of life, lies of convention, prevalence in family as well as manipulation.
Trąd w porządku teologicznym „Zwiastowania” Paula Claudela
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2021) Kucab, Mateusz
The article analyses the issue of leprosy as a sign of accepting God’s will, which comes from the order of faith and is far from rational. Being infected with the disease by the main character symbolizes the boundless trust of Providence and the recognition of her life calling. Although affliction is a source of exclusion and fear from the community, for the girl it is an expression of love and an honor to participate in the Creator’s plan. Leprosy, causing great medieval epidemics, is not only important for the dramaturgy, but also for the ideological significance of the work, which is helped by the references to the philosophical writings of Paul Claudel.
W poszukiwaniu straconego Eleuzis. Szekspirowskie i indyjskie inspiracje w „Wampirze” Władysława Stanisława Reymonta
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2018) Kucab, Mateusz
The article is devoted to the less-known novel entitled “Vampire” by Władysław Stanisław Reymont, polish Nobel Prize Winner. It brings the subject of theatrical motifs and mechanism which have been used in the novel like dramatic dialogues and monologues, theatrum mundi theme. In the view of foregoing it has been proposed patters of subordination and guilt presented in the novel should be called the vampiric situations which is an appropriate term referring to relations between characters. The Vampire, alluding to William Shakespeare’s oeuvre (The Tempest in particular) and the culture of India, is another reflection of Reymont on the subject of great life’s celebration, searching for a place of one’s own in the world, articulating dreams and necessities.