Przeglądanie według Autor "Adamowska, Joanna"

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Czarny łabędź. Darren Aronofsky o edukacji artystycznej, dojrzewaniu artysty i sztuce
(Instytut Sztuk Pięknych Uniwersytetu Rzeszowskiego, 2022-12) Adamowska, Joanna
The article is the interpretation of the film The Black Swan by Darren Aronofsky. According to the author, by portraying the fate of Nina Sayers the director shows the dynamics of psychic processes of Shadow integration (as understood by Jung’s analysis) and positive desintegration (as understood by Kazimierz Dąbrowski) that accompany the creative evolution of a brilliant individual. According to Adamowska both those occurences enable the main character to grow both as a person and as an artist. The author also reconstructs the vision of art as presented in the film that refers to, coming from Friedrich Nietzsche’s The Birth of Tragedy, the dichotomy between the Apollonian and the Dionysian art.
Władza nad martwą naturą. Cézanne Herberta
(Wydział Sztuki UR, 2018-12) Adamowska, Joanna
This article is an interpretation of Zbigniew Herbert’s poem Still Life, taking into account a lot of contexts, e. g. the references to Cézanne’s life, work and its reception present in the poem, Herbert’s other opinions on the artist’s work, as well as the earlier interpretations of the poem (by Roman Bobryk and Magdalena Sniedziewska). The author of the article shows how in the poem on Cézanne Herbert presents one of the major problems of his own work, i. e. the relations between art and transcendence, between the divine and the human.