Bożonarodzeniowe herody w Dalachowie i sąsiednich wioskach – analiza gatunku teatralnego i języka folkloru

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Obrazek miniatury

Data

2016

Tytuł czasopisma

ISSN

Tytuł tomu

Wydawnictwo

Wydawnictwo Uniwersytetu Rzeszowskiego

Abstrakt

In this article I analyze four versions of the Christmas show about king Herod - one of the twentieth century (the turn of the 70s and 80s) and three contemporary (2012). In the first part I examine the influence of pagan beliefs and Christian religion on the analyzed habit, and I also look for its roots in medieval and folk theatre genres. Pointing to the differences and similarities between them and the show about king Herod, I mention: liturgical drama, mystery, nativity play, morality, interlude and carnival. In the second part I analyze the language of folklore on the basis of the collected material. Following Jerzy Bartmiński I point out the main features of the language that we find in the tested habit. These include: typifying characters, the use of augmentatives and diminutives, the use of repetition, parallelism and symbols, and dialogism and variations of show about Herod.

Opis

Słowa kluczowe

Cytowanie

Słowo. Studia językoznawcze nr 7/2016, s. 241–255