Iskra-Paczkowska, Agnieszka2024-04-282024-04-282018-12Warstwy Nr 2 (2018), s. 68-852544-4824https://repozytorium.ur.edu.pl/handle/item/10442The category of the „author” in art can be considered in a descriptive or normative sense. In the normative sense it was introduced by the so-called „author’s politics” from the 1950s and 1960s. In the descriptive sense, it is the choice of the narrative model – ”transparent” or „author’s”. The inspirations for the cinema were both self-themed threads (in the film), and the other arts: painting and literature. In conclusion, the author attempts to answer the question, what is the status of the author in contemporary cinema.polAttribution-NonCommercial-NoDerivs 3.0 Polandhttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/autorpolityka autorówmodel narracyjnyauthorauthor’s politicsnarrative modelKto mówi – miejsce autora w filmieWho Is Talking: the Place of the Author in the Moviearticle