Rombel, Maria2020-03-042020-03-042019Tematy i Konteksty 9(14) 2019, s. 372–3902299-8365http://repozytorium.ur.edu.pl/handle/item/5265The paper aims to juxtapose the literary portrayals of the socialist Warsaw and Francoist Madrid depicted in two postwar novels: “The Man with the White Eyes” by Leopold Tyrmand and “The Hive” by Camilo José Cela1, respectively. The starting point for the considerations is geopoetics and, more precisely, the concept of the sensory and emotive topographies. It is intended to demonstrate that the approach in question provides the tools adequate to analyse the configuration of Warsaw’s and Madrid’s urban spaces portrayed in Polish novels from the Polish People’s Republic period and Spanish novels from the Francoism period. The comparative approach, in turn, enables the juxtaposing of the research objects and gathering of the data useful for the purposes of Polish-Spanish intercultural studies, such as intercultural communication studies.polAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowehttp://creativecommons.org/licenses/by-nc-nd/4.0/WarsawMadridpostwar novelgeopoeticscomparative studiesconfiguration of urban spacePolish People’s RepublicsocialismFrancoismsensory and emotive topographies/geographiesWarszawaMadrytpowieść powojennageopoetykakomparatystykakonfiguracja przestrzeni miejskiejPRLsocjalizmfrankizmtopografie/geografie sensoryczno-emotywneLiterackie obrazy socjalistycznej Warszawy i frankistowskiego Madrytu w perspektywie geopoetyki i komparatystyki. Przykład powieści „Zły” Leopolda Tyrmanda i „Ul” Camilo José CeliLiterary Portrayals of the Socialist Warsaw and Francoist Madrid in the Light of Geopoetics and Comparative Studies. The Case of the Novels “The Man with the White Eyes” by Leopold Tyrmand and “The Hive” by Camilo José Celaarticle10.15584/tik.2019.23