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Polski system producencki. Rola producenta filmowego

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dc.contributor.author Bożek, Małgorzata
dc.date.accessioned 2020-06-16T11:48:28Z
dc.date.available 2020-06-16T11:48:28Z
dc.date.issued 2019
dc.identifier.citation Dydaktyka Polonistyczna, nr 5(14)2019, s. 240–247 pl_PL.UTF-8
dc.identifier.issn 2451-0939
dc.identifier.uri http://repozytorium.ur.edu.pl/handle/item/5568
dc.description.abstract The Polish film system is characterized by a variety of forms. Michał Zabłocki, the author of the comprehensive study of the „Organization of the production of feature film in Poland”, isolates two models of world cinema: producer and producer-director. The first one features the dominant role of the producer, which means the person who is responible for the work of all the film departments- direction, cinematography, production management, scenography and costume design. The second one, the model which is still the most popular in Poland, assumes close cooperation between the producer and the director. pl_PL.UTF-8
dc.language.iso pol pl_PL.UTF-8
dc.publisher Wydawnictwo Uniwersytetu Rzeszowskiego pl_PL.UTF-8
dc.rights Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe *
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/4.0/ *
dc.subject Polish film system pl_PL.UTF-8
dc.subject models of worlds cinema pl_PL.UTF-8
dc.subject role of film producent pl_PL.UTF-8
dc.title Polski system producencki. Rola producenta filmowego pl_PL.UTF-8
dc.type article pl_PL.UTF-8
dc.identifier.doi 10.15584/dyd.pol.14.2019.18


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