Tematy i Konteksty 8(13) 2018

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  • Pozycja
    Promocja monografii poświęconej twórczości Anny Frajlich w Krakowie
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2018) Pasterski, Janusz
    This article presents report from the meeting promoting the monograph „Tu jestem / zamieszkuję własne życie”. Studia i szkice o twórczości Anny Frajlich edited by Wojciech Ligęza and Jolanta Pasterska. The book promotion meeting was organized by Biblioteka Kraków in the Journalist Club „Pod Gruszką” in Kraków on March 23, 2018. The special guest of the event was the poet Anna Frajlich.
  • Pozycja
    Obecność Romanowiczowej
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2018) Jamrozek-Sowa, Anna
    Zofia Romanowiczowa (1922-2010) was a Polish writer and culture promotor, living in France. The devoted to her monograph authored by Arkadiusz Morawiec is of documentary nature. The book consists of three parts: a biographical note, a discussion of Romanowiczowa’s books’ reception and an extensive bibliography. Morawiec not reviews the views of other scholars, but also refers to the facts found in the source documents, to which he provides his own commentary.
  • Pozycja
    Poezja bez niepoezji, czyli meandry poezji czystej
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2018) Mazur, Elżbieta
    The text is a review of the book by Gustaw Ostasz, entitled „Śladami poezji czystej” (“Retracing Pure Poetry”) and presenting considerations on the relationship between poetry and non-poetry. According to the reviewer the book stands out for its presentation of an important phenomenon in the modern lyric poetry, i.e. “pure poetry” understood as beauty, aesthetic ideal, and the Absolute. She also points out that, as an excellent supplement to the methodological considerations, the subsequent chapters of the book present interpretations of major works of Polish 20th century literature, representing the concept of “pure poetry”.
  • Pozycja
    Krawiec wśród literackich wykrojów i wzorów
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2018) Wilk-Krzyżowska, Emilia
    Publication of “Prose: shapes and patterns” depicts the author Jerzy Jarzębski as a tailor, showing literary shapes and patterns (forms) of works, thus creating his own literary map of Polish literature in the 20th and 21st century. Jarzębski focuses on the world of values, problems with the past, most popular topics and interviews, the aim of which is to depict the reader that there is no one ideal canon of literature. Each of us can create it ourselves, which the author encourages.
  • Pozycja
    Dyskursy, performanse tekstowe i narracje transmedialne polskich piosenek rockowych
    (Wydawnictwo Uniwersytetu Rzeszowskiego, 2018) Tański, Paweł
    There are a few reasons why a song, in its broad sense, is not the main focus of the present study, but its variety – a particular attention is devoted to the genre of the so-called rock music. Firstly, in my opinion, this work of art currently seems to be the most interesting, resonating, as well as artistically and aesthetically valuable. Secondly, the qualitative and quantitative intensity of the genre is priceless. Thirdly and finally, the influence of this very sort of musical activity on the 20th century is commonly known not only through a powerful impact of various counterculture areas in which rock music found its own reason for existence, but mostly owing to being what it is – a performative artistic output in which different areas of art – music, lyrics, visuals and others – correspond with one another. Awarding the Nobel Prize in Literature in 2016 to Bob Dylan has marked a significant moment in cultural history – the musician gained recognition among the honourable Academy and, by the same token, the song – Dylan’s most commonly used artistic medium has raised cultural awareness, reaching out to a wider public. But did it really have to reach out to listeners? Is it not true that a song has been a soundtrack to our lives being constantly present in them? Maybe the decision which the Academy has made was only a formality – lyrics are very important and it is only up to us what meaning we assign to them. This paper aims to interpret selected lyrics of Polish rock songs, considering them as a significant part of the history of the Polish literature.