Przeglądanie według Temat "genre"

Aktualnie wyświetlane 1 - 5 z 5

Are you talking to me? A case of specific reply by means of election campaign advertisements
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2020) Rut-Kluz, Dorota
The article aims at an analytic description of a specific type of exchange occurring during political campaigns. The candidates often engage in a virtual dialogue; that is, an exchange of points made by means of campaign advertisements. The specific type of exchange or reply is, in certain aspects, no different to an ordinary conversation. However, what influences it most is the context of public/mass communication. The main concern of the presentation is to investigate, within the framework of Relevance Theory, ways in which a candidate’s reply to the opponent’s advertisement is actually a message to the viewers and prospective voters rather than to the rival themselves. The analysis is carried out on selected advertisements for Mitt Romney and Barack Obama broadcast during the U.S. presidential election campaign in 2012.
Gatunek dramatu „rewolucyjnego”: transgresje i narodowe matryce genologiczne w kontekście ukraińskich rewolucji XXI wieku
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Bondarewa, Ołena
Considering drama as an operational and mobile genre of literature, it is worth starting a separate conversation about its reactivity in the context of Ukrainian revolutions and liberation struggles of the 21st century. After all, modern Ukrainian “revolutionary” drama has nothing to do with the destructive genre clichés of the traditional “revolutionary drama” of the twentieth century. Signs of the latter were the destructive myth of: the new creation of the world; life from zero cycle; basic benefits for infirm people, given by the revolution; static linear plots; pseudo- -documentary; ideological involvement of protagonists / antagonists. Ukrainian “revolutionary” drama of the 21st century has 2 streams dedicated, respectively, to the Orange Revolution (vitalistic-romantic visions of the revolution as “love on the barricades” and “birth of the spirit”, “The Nutcracker 2004” by Alexander Irvantеs and “Revolution, love, death and dreams” by Pavlо Arie) and the Revolution of Dignity, which was mastered: in prophetic works (“Barricades on the Cross” by Yurko Gudz, “Detailing” by Dmitry Ternov); in the latest documentary strategies that do not require additional theatrical reinforcement (“We, the Maidan” by Nadiya Simchych, “Diaries of the Maidan” by Natalia Vorozhbyt); in hagiographic “To the sharpness of the sixth octave” by Igor Yuzyuk, “OTVETKA@UA” by Neda Nezhdana) and in symbolic and allegorical genres (Neda Nezhdana’s “Maidan inferno, or the other side of hell”, Oleksandr Viter’s “Labyrinth”, Oleg-Mykolaychuk-Nizovets’ “Chestnut and Lily of the Valley”, Oksana Tanyuk’s “Woe (not) my wolf, or Schrödinger’s Cat”, Vladimir Kupyansky’s “Under the Sign of Puy”, “Bogdan 2014” by Ksenia Skoryk, “Knight of the Temple” by Tetyana Ivashchenko, “Women and Snapper” by Tetyana Kitsenko, “Christmas on the Maidan” by Vira Makoviy, “Extreme Modern People” by Mykola Istin and many other dramatic works). This gives grounds to consider the irreversible artistic transgressions of the genre, which due to its efficiency and mobility gets a new quality and new life, which is very relevant in the context of the Maidan topos throughout Ukraine in the Russian aggression in 2022.
Geneza horroru jako gatunku
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Trofymenko, Anastasija
This article examines the origin of horror as a genre within the cluster of all horror literature genres. The structure of genological-typological evolution of these genres has been analysed. It has been proven that horror, due to its specificity, should be referred to this group of genres which are realized in literature on the basis of genre memory.
Genologia wobec rewolucji cyfrowej. Przypadek reportażu
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2022-12) Pietrzak, Przemysław
I compare the concept of today intermedial reportage to that before the Internet era. Several features of this genre, usually considered as purely contemporary ones, can be found in the works of 20th century Polish writers including interwar period. Multi-, trans- and intermedial reportages, multiplication of their editorial channels and some forms of participation can be discovered before the time of World Wide Web, on condition that we take into consideration newspaper editions, not only those in the books. Digital revolution then looks merely like a change of carrier rather than a huge turn in the history of some literary genres. Moreover, what it offers (internet channels, social media), is of much less durability than traditional paper texts, and readers’ participation here is frequently limited to commentaries or some cues for authors. Many of them vanish shortly afterwards, what makes a ‘participatory culture’ a cultural illusion.
Incipity biografii – konwencja czy gra z czytelnikiem?
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Krauz, Maria
The author discusses the ways in which biographies are started showing the specificity of text segmentation characteristic of this genre and pointing to its convergence with literature or journalism, which is part of the general tendency of genomic transformations and the striving of the authors to break the standards of the genre. She emphasis the role of the delimitation in the process of creating a holistic text (with particular reference of biographies which were given after 2000).