Przeglądanie według Temat "exhibition"

Aktualnie wyświetlane 1 - 4 z 4

Cienie przeszłości – refl eksje z kilku wystaw
(Wydział Sztuki UR, 2017-12) Nowicki, Paweł
The article is based on personal memories. It describes three exhibitions which dealt with a reflection upon the inevitability of transience of all things. The exhibitions took place in the Museum in Gorlice (Dwory Karwacjanów i Gładyszów) and in the Polish-Slovakian Centre in Gorlice. The source of inspiration for this text were photographs by Bogdan Konopka and Robert Huk. The text mentions the local cemetery, once densely covered with trees, of which now very few are left. It deals with removing the spell and the romantic illusions, which comes along with modernity. This decline of the old atmospheric scenery shows the truth of our time. Perhaps against the intentions of those who have contributed to the felling of the trees, the bare cemetery shows the misery and tragedy of human existence.
Czarny, Tuż…tuż…, Mysz / Mini-Maxi Print Berlin 2020, Galleri Heike Arndt DK w Berlinie
(2020) Komaniecka, Barbara
Wystawa zbiorowa o charakterze międzynarodowym MINI MAXI PRINT BERLIN, Galleri Heike Arndt DK 2020/2021
Moje rzeczy
(Instytut Sztuk Pięknych Uniwersytetu Rzeszowskiego, 2019-12) Tulik, Sylwia
The article is an attempt to answer questions connected with objects, collecting and owning them, and their function. What is an object in a person’s life, how many emotions and meanings does it carry? Is it beautiful or useful and is beauty utility? Why does it define the times it was created in, and why, in the course of time, acquiring meaning, does it become timeless and everlasting? How does a collector make his way in the world of objects, what is his attitude to them? Where is the borderline between the desire to possess and the madness of possessing at all costs? Can the line be drawn? Museum exhibitions and their evaluation; exhibition correctness and viewers’ emotions.
Sztuka młodych jako przestrzeń dialogu wewnętrznego. Refleksje na temat pewnej tendencji w trzech krótkich wspomnieniach
(Wydział Sztuki UR, 2018-12) Pokrywka, Przemysław
The Solvay Cracow Center for Contemporary Art is a culture institution promoting young artists. In the past decade it has exhibited a few dozen projects by students and graduates of art academies. The wide range of interests and characters has created a colorful mosaic of artistic stances. It is against this background that the author of this article presents three artists, who, due to their intellect and talent, are intriguing art personalities. They are not anonymous in the younger generation of Polish art, however they seem to be staying on its sidelines. The author presents Michał Marek, an artist connected with Wrocław, who has exhibited a collection of incomplete, crisscrossed paintings – evidence of a crisis an artist faces on his way. The article also presents Arkadiusz Andrejkow, who in the fall of 2012 showed in the Centre a painting exhibition titled “Family matters”, inspired by photographs found in an old wardrobe. Faced with images of his nearest and dearest, cultivating the memory of his relatives, Andrejkow provokes the viewer into a deeper reflection on the problem of transition and one’s own identity, often difficult in a historical context. The third artist is Kamil Kuzko, who consciously rejects current trends and fashions. In his works one can see a whole range of solutions reminiscent of Orthodox icons and frescoes. Of special interest is his schematic presentation of male faces, many of tchem being the artist’s self-portraits, whose form is modeled on the art of Eastern Church.