Przeglądanie według Temat "emancipation"
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Pozycja Maria Rodziewiczówna o swojej twórczości. Nieznana kartka pocztowa pisarki(Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Rusin, JoannaIn this text an unknown before postcard by M. Rodziewiczówna has been published, in which the writer briefly yet to the point spoke on the subject of the creation of female characters and love in her novels.Pozycja Polskie męskości: peryferyjne, kolonialne, postkolonialne. Mapowanie pola poszukiwań(Wydawnictwo Uniwersytetu Rzeszowskiego, 2024) Kubiak, AdamThe paper explores particularities of Polish masculinity entangled in perpetual violence and class-based submission rooted in serfdom and servitude. The aim there is an attempt to make a preliminary mapping of possible decolonisation of manhood/masculinity, understood as decoding the frame of oppression and exploitation built on these foundations. Main focus in this piece is put on exploring such a possibility using existing critical works and attempts of re -writing Polish identity as not noble but rather serf-born. As a preliminary piece, this paper is mean to be less of a stance and more an invitation to discussion.Pozycja Pożytki z teatru. Na przykładzie realizacji teatralnych Artura Żmijewskiego i Zorki Wollny(Wydział Sztuki UR, 2018-12) Sawicka, JadwigaThe article discusses using theatre in the practice of visual artists based on the cases of two artists. It presents different goals with which that medium has been used: in the staging of a Catholic Mass in theatre by Artur Żmijewski, and in playing the role of Ophelia by eleven actresses of different ages in a performance directed by Zorka Wollny. Considering the previous work of the two artists, one may say that theatre-related projects have been part of the interests and practice of both of them. They are both interested in working with people, yet the aim of Żmijewski’s experiment was affecting the audience and Wollny’s one – emancipation of the actresses and the text.