Przeglądanie według Temat "druga emigracja"

Aktualnie wyświetlane 1 - 3 z 3

"Kontynenty - Nowy Merkuriusz" (styczeń 1959 - luty 1961)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Moczkodan, Rafał
The article is a discussion – mainly from the editorial-programme side – of the history of the fourth mutation of the magazine published in London by a poetic group called “Continents”. In this outline goals set by the changing editorial board are indicated and the difficulties faced while realizing particular plans are discussed. Apart from that changes in the thematic-content structure of the monthly issue have been presented as well as opinions and evaluations given by its readers and members of the editorial board have been cited.
„Kontynenty” (marzec 1961 – grudzień 1966)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2013) Moczkodan, Rafał
The article presents the fate of the fifth mutation of the magazine published by the London group of poets known as "The Continents". The author presents the problems with which this monthly magazine contended (the lack of funds, the arguments and internal conflicts within the editorial team, the critical attitude of the emigrants’ older generation), its programmatic/thematic evolution, largely dependent on the opinions and views of subsequent chief editors, the assessments and judgements of the people interested in "The Continents", as well as the circumstances of the cessation of the publication. The final section of the article points to some common characteristics which link all five mutations of the magazine.
Pasjans na dwóch
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2013) Pasterska, Jolanta
The monograph entitled "A New York Solitaire. The Polish Institute of Arts and Science of America. Jan Lechoń. Kazimierz Wierzyński. A Study of Selected Aspects of Its Activity in the Period 1939-1969" by Beata Dorosz is the outcome of a long-term study and laborious preliminary research which document the earliest years of the activity of the Polish Institute of Arts and Science of America and its two major personalities – Jan Lechoń and Kazimierz Wierzyński. Although the book is characterized by a documentary nature and is archive-oriented, full of dates, facts, lists and names, the author has managed to attract the readers’ attention by her lively narration, witty comments, titbits and anecdotes. Due to these, the readers are not only provided with reliable information on the activity of the Institute, but are also introduced to the atmosphere which accompanied the artistic and cultural life of the Polish community in America. Social reshuffling, personal animosities, diplomatic efforts, open quarrels and, finally, the ideas for the ‘dollar whip-rounds’, or generous donations for Polish artists-refugees, complement the colourful story about the people and organizations in emigration. At the same time, a specialist in literature will find here much quality information which illustrates the critical and scientific activity of Lechoń and Wierzyński. Liberally quoted reviews, discussions and lectures confirm their dynamic activity on the account of Polish culture. In fact, the compendium offered by Beata Dorosz delimits new directions of the research into the emigration milieu (and not only) of New York, and provides valuable contexts, in which the interpretation of Jan Lechoń’s and Kazimierz Wierzyński’s works reveal additional meanings.