Przeglądanie według Temat "cross"
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Pozycja Doświadczenie Krzyża w świadectwach poetyckich(Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Kogut, JoannaNowadays the cross themeappears in wideculturalcontext. It ischarasterized by enormousrichness of form and content. The cross is one of the oldestsymbols of humanity. However, todayitsoriginalmeaningseems to be forgotten. It isoftenseen as ornament, art work, religious symbol. Nevertheless, for manypeopleitisexpression of humanexperiencesmarked by stigma of suffering. The presentpaperisanattempt to catchtheseexperiences and show them by analysis of religiouspoetry. The imagery of cross insideitenablesus to getjust a little bit closer to the mysteryexperience in the poetry. Contemporarypoetry was considered by the prism of canonicmysticalpoetryexpressed in John’s of the cross poetry, whoseoutput was diligentlyanalyzed by Edith Stein and Karol Wojtyla (Pope John Paul II). Thatiswhyfollowing the path, in order to catch the deeperlayer of the meaning of the topic, the phenomenologicalinterpretation was used. Stein claimsthatthisintepretationmayallowus to empathize and catchthis, whatiselusive, whatisjustimpossible for humanunderstanding, but becomesanopportunityitself.Pozycja Georgia O’Keeffe – the cross in the New Mexico landscape(Wydawnictwo Uniwersytetu Rzeszowskiego, 2014-12) Makówka, LeszekThe criticism of Georgia O’Keeffe’s output focuses on abstract paintings. The author of the paper states that numerous paintings by O’Keeffe with the motif of the cross against the New Mexico landscape constitute an equally important part of her work, unknown to a broader audience. An attempt at the reconstruction of the history of the creation of the paintings, conducted on the basis of texts by their author and her contemporary critics, proves that the sign of the cross in those paintings plays a key role both in the compositional and ideological aspects. At the same time, in respect of formal solutions, those works equal the well-known paintings by the artist created as a result of transformation of a realistic subject.Pozycja The Yew Cross from Szczuczyn – a Symbol of Life and Death or an Unusual Memento?(the Authors, 2022-12) Michalik, JakubArchaeological research in the crypts of the Church of the Holy Name of the Virgin Mary in Szczuczyn has been carried out since 2012. Many years of research have made it possible to identify some of the buried people, including the Piarists who served as the hosts of the church. One of the monks identified was Stanislaw Marszycki, who took the name Simeon of St Joseph after his monastic vows. Identification of the Piarist was possible thanks to the information on the coffin. On the deceased’s vestments rested a wooden crucifix, which can be interpreted as part of the deceased’s individual equipment. The crucifix was subjected to wood species identification using a microscope with transmitted light. This made it possible to determine that it was made from the wood of the common yew tree (Taxus baccata L.). Yew wood is a valuable material and was used to make both large boatbuilding components, furniture, and weapons, and was also readily used in 18th- -century gardens. The yew was also a tree around which there was a great deal of superstition. Because of its toxicity and longevity, it was treated as both a tree of death and life. The cross from the monk’s coffin, according to superstition, might have guarded the deceased against evil, been an individual object with which the deceased was associated, or perhaps was chosen because yew wood was eminently polishable and with a beautiful colouration.