Przeglądanie według Temat "Polish poetry of the 20th century"

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Próba opisania świata… „Świat z góry na dół w Pieczerskiej Ławrze w Kijowie” Tadeusza Kubiaka
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2017) Bobryk, Roman
The article provides an interpretation of Tadeusz Kubiak’s „Świat z gory na dół w Pieczewskiej Ławrze w Kijowie” [The World Upside Down in Pechersk Lavra in Kyiv]. The poem presents a description of Lavra’s interior, which makes a closed and harmonious entity, “the world”. This entity is gradational rather, than homogeneous. The direction of gradation is indicated in the title and finds its embodiment on the level of style and motif. The space depicted can be divided onto two separate parts: the sacred and the profane, the boundaries of which are defined by “the wall.”
Twórczość Bogdana Czaykowskiego w kręgu Oficyny Poetów i Malarzy
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2024-12) Szałasta-Rogowska, Bożena
The article concerns the problem of cooperation between Bogdan Czaykowski and the Poets’ and Painters’ Press. This cooperation was not permanent and regular, but it lasted with breaks for fourteen years – from 1957 to 1971. During this time, Czaykowski published two volumes of poetry at OPiM - his debut titled Trzciny czcionek in 1957 and the poem Sura. Wiersze in 1961. From 1967, he also published his poems (21 works in total), translations of poems from English into Polish (5 works by Michael Bullcok) and critical literary sketches (one in Polish about the work of Tadeusz Peiper and two in English devoted to poetry by Leopold Staff and Czesław Miłosz). „Oficyna Poetów” also published three translations into English of Bogdan Czaykowski’s poems by Adam Czerniawski, and the fifth of Jan Brzękowski’s essays from the series Rozmowa z sobowtórem, published in the magazine, is devoted to Czaykowski’s achievements. The article proves that the poet’s cooperation with Krystyna and Czesław Bednarczyk was mutually beneficial.