Warstwy Nr 2 (2018)

URI dla tej Kolekcjihttp://repozytorium.ur.edu.pl/handle/item/6263

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Aktualnie wyświetlane 1 - 4 z 4

Między sportem a sztuką. Sylwetka Wiktorii Goryńskiej
(Wydział Sztuki UR, 2018-12) Szajna, Gabriel
The aim of this article is to show a theoretical perspective of humanistic anthropology of sport. It discusses the self-creation of Wiktoria Goryńska’s personality and her artistic work. The text looks at the symbiosis of art and sport, using a case study, an analysis of historical facts, a comparative method and an analysis of the literature on the subject. Presenting Goryńska in the sphere of her self-expression in art and sport proves that she was extremely active socially, pursuing the common good. She is an outstanding figure in Polish culture.
O artystycznym i estetycznym pożytku z kategorii warstwy. Przyczynek do ontologii dzieła sztuki Nicolaia Hartmanna
(Wydział Sztuki UR, 2018-12) Mordka, Artur
The article attempts to analyze the aesthetic and artistic meaning of the layer category. The author has chosen it as the subject of his analysis, as it is part of the research on aesthetics by Nicolai Hartmann; however, it can also be used to clarify the creative process. The first part of the article discusses the notion of a layer that Hartmann uses, moving on to the considerations which include the unity of a work of art, its manner of existence and sensual (visual) appearance of irreal content.
Władza nad martwą naturą. Cézanne Herberta
(Wydział Sztuki UR, 2018-12) Adamowska, Joanna
This article is an interpretation of Zbigniew Herbert’s poem Still Life, taking into account a lot of contexts, e. g. the references to Cézanne’s life, work and its reception present in the poem, Herbert’s other opinions on the artist’s work, as well as the earlier interpretations of the poem (by Roman Bobryk and Magdalena Sniedziewska). The author of the article shows how in the poem on Cézanne Herbert presents one of the major problems of his own work, i. e. the relations between art and transcendence, between the divine and the human.
Wybrane zjawiska sztuki renesansu a przemiany samowiedzy człowieka epoki nowożytnej w ujęciu Charlesa Taylora
(Wydział Sztuki UR, 2018-12) Nowicki, Paweł
This article aims to discuss Charles Taylor’s views included in Sources of the Self, concerned with the changes in European art during the Renaissance presented as an outcome of the changes in the understanding of human identity. The author’s significant assumption is a thesis that historical changes in human self-knowledge find a reflection in art, especially in the construction of a painter’s plan, the position of an observer, the manner in which the observed object is presented. The answers to the questions: Who is looking? Where does the perspective open? etc. are vital for analyzing works of art treated as exempla of anthropological and epistemological problems. Important points of reference next to Taylor’s Sources of the Self are H. Wölfflin’s Principles of Art History, N. Elias’s Involvement and Detachment and Ch. Taylor’s Diálogos Taylor y Bernstein.

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Przeglądanie Warstwy Nr 2 (2018) według Temat "art"