Tematy i Konteksty 2(7) 2012

URI dla tej Kolekcjihttp://repozytorium.ur.edu.pl/handle/item/415

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Recepcja utworów Walerego Łozińskiego
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Niwińska-Lipińska, Ewa
This article discusses critical literary texts devoted to Walery Łoziński. The writer became famous mainly as the author of "Zaklęty dwór" ("Enchanted manor"). Reception of Łoziński’s works has been discussed in three parts: "Contemporary on Łoziński", "Opinions about Łoziński’s output 1911-33" and "Opinions about Łoziński’s output – new ones". In part one both articles written during the writer’s life and those written after his premature death have been referred to. Part two makes reference to texts by Karol Estreicher senior and Wilhelm Bruchnalski, which remind of Łoziński figure but the main focus has been on the articles and the book by Adam Bar entitled "Zapomniany powieściopisarz lwowski" ("Forgotten novelist from Lvov"). In the end of this part there have been references to smaller texts on Łoziński. In part three main attention has been paid to texts which appeared after 1945. Smaller articles have been briefly discussed. The most of the attention has been devoted to the researcher who studied Walery Łoziński’s output thoroughly and deeply, namely to Julian Krzyżanowski. In the end TV series based on "Enchanted manor" directed by Antoni Krauze has been discussed.
O listach Jana Lechonia i Kazimierza Wierzyńskiego (Kilka uwag na marginesie przygotowania edycji krytycznej)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Dorosz, Beata
This article presents the problems faced by an editor preparing a correspondence dialogue between Jan Lechoń and Kazimierz Wierzyński (237 mainly handwritten letters from 1941-1956) for a critical edition, among others, the issue of completeness, dating, reading of the autograph. It signalizes some of the appearing motifs and problems in the letters, making an initial attempt to interpret them in the context of biographies of both authors and historical events (especially the experiences of emigration). Moreover, it contains seventeen short poetic pieces (poems, epigrams and trifles) by both poets which may be found among other contents on the pages of those letters. They have been read from the handwritten manuscripts and edited and therefore they appear in print for the very first time.
Samotność nad kartką papieru. Dąbrowska jako epistolografka
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Głębicka, Ewa
The publication of Maria Dąbrowska "Diaries" allowed to look at the writer from a new, previously unknown perspective; her diary became one of the most important testimonies of contemporary times. A huge surprise for the historians of literature was vast correspondence of the writer numbering many thousands pieces in the following years. Among many of her sets of letters the most interesting ones are those exchanged with Marian Dąbrowski (ed. 2005), Jerzy Stempowski (ed. 2010) and his father Stanislaw (edition in preparation) as well as with a long-term life companion Anna Kowalska. The latter set numbering over 3100 letters, approved for publication due to the decision of heirs, will be published unabridged in years 2016-22; works on the first volume (1943-45) are significantly in progress. Among the sets designed for publication in the near future there is also the one with Kazimierz Wierzyński. This article discusses the most important sets of letters from and to Dąbrowska indicating their factual wealth and biographical specificity.
Dialogi pisarzy młodopolskich z "Lillą Wenedą" Juliusza Słowackiego
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Rusek, Iwona E.
This article analyses connections between the romantic idea of spiritual development and modernist search for the truth of existence. The patron of activities directed in this way was Juliusz Słowacki, whose works and life inscribed in artistic-philosophical actions of modernist artists and the text which most fully expressed the analysed issues was the drama entitled “Lilla Weneda”. Modernist writers, for whom the problems of the strength of the character, the will, inner transformation or lack of it, initiated a dialogue with the tragedy by "Balladyna"’s author in their texts (W. Berent “Próchno”, M. Wolska “Swanta”, A. Lange “Wenedzi”, J.A. Kisielewski “Sonata”). This dialogue took place along several lines (fate, symbolism of a ritual, the figure of a priestess, mysterious objects, the figure of the Bride, the idea of wedding, the desire to be reborn). The present analysis has indicated strong semantic-symbolic connections between the text by Juliusz Słowacki and his modernist ‘interlocutors’.
Refleksje Karola Olgierda Borchardta o zawodzie nauczyciela (listy pisarza do „Zosi”)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Rusin, Joanna
Karol Olgierd Borchardt (1905-1986) was a captain of ocean going navigation, a writer and a teacher. He started his teaching job during World War II in England where taught in and directed Maritime Gymnasium and Grammar School in Landywood. In 1953-1978 he lectured (mainly astronavigation) at Gdynia Maritime University. He was a unique and even charismatic teacher. He did not punish his students, rarely gave bad marks, he always treated his pupils as subjects of the teaching process, in a way that could be described as ‘fatherly-facetious’ manner. This outline comprises unpublished Borchardt’s letters in which the writer expressed his thoughts on the most difficult, according to him, profession – the profession of a teacher.
Topos dzieciństwa w świetle historii (ogólny zarys problemu w poezji nowoczesnej 1939-1989)
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Mielhorski, Robert
The attention in this article is paid to the problem of childhood (its literary picture in poetry) in relation to external factors – events and history (including the socio-political context). The researched material consists of Polish poetry from years 1939-1989 (as a clearly distinguished segment of the historical-literary process). Methodological ordering of the contents of subject literature results from the use of two research paradigms: one – current-autobiographical one – shows the problem under discussion in reference to such topics of 20th century writings as exile (poetry of return by Łobodowski, Wierzyński etc.) immigration (currents: nostalgic [pansentimentalism] and emotionally neutral), Holocaust (motifs of fear, the division between now and then, the role of imagination); the second one allows to follow the topos of childhood viewed in the perspective of history according to the order of generations entering Polish literature (from generation 1920 to New Age Groups) and to succession of consecutive phases of literary development in the second half of the 20th century (e.g. socrealism and soc-plans). The text is concluded with the thought that poetic texts (concerning childhood in the light of history) are viewed as, among others, records of ‘rites of passage’ – from the child phase of pre-personalistic personality (the child’s sense of being one with the world, experiencing the harmony of being) to the period of personalization (when history leaves its stamp on this period; characterized by the sense of the subject’s distinctiveness from the reality, of individual separateness, the need for rationalization of one’s own and surrounding existence). The role of history often comes to leading a child from the pre-personalistic period to the experience of personalization.
Z "cierniem wbitym w serce". Michała Zielińskiego droga do sławy
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Podgórski, Wojciech J.
Michał Zieliński (1905-1972) from Jarosław inscribed in the history of his family city as a talented poet and musician, a song composer, out of whose compositions the earliest one to move to the top was the soldier song entitled "Serce w plecaku" ("Heart in the Backpack"). The popularity of short literary-musical forms of his own authorship he owed to the period of military service at the garrison in Jarosław, where his talents were recognized and also to the demand for musical culture propagated in regional healing-leisure centers of the Second Republic of Poland at those times. A resort of this kind, a well-known and popular in Poland then was Truskawiec (at present a town in Ukraine). The orchestra of the 3rd regiment of infantry legions was a substitute of a musical academy for Zieliński, under the guidance of a professional coming from Bydgoszcz, a drum major lieutenant Tadeusz Dawidowicz. During the concert season in Truskawiec in September 1933 the first public performance of the song “Serce w plecaku” took place. First publication of the song signed by the author (without the refrain) can be found in the collection entitled "Wiersze żołnierskie" ("Soldier poems") published by the Military Scientific-Educational Center in Warsaw in 1938. The enormous success of the song came with the events of the Second World War. This success was not in any way produced by the author and the composer but by many known and unknown performers. This song was sung everywhere. In the circumstances of conspiracy a few times it was anonymously published since 1943 in the form of the Gebethner and Wolff editions as well as the piratical editions. After the war the creator of the song as the member of ZAiKS (Polish Society of Authors and Composers) had to face the attacks from the usurpers in the fight for copyrights (the objects of this greed were, of course, royalties). The first publication, authorized by Zieliński after the war, of the lyrics took place in the anthology "Poets for soldiers 1410-1945" (Warsaw 1970), edited by Janusz Kapuścik and Wojciech J. Podgórski. The dam for the press discussion was finally laid by their article "Prawo do “Serca w plecaku”" ("The right to the “Heart in the Backpack”") (“Życie Warszawy” 1975, no. 107, p. I).
Wypędzenie jezuitów z Imperium Rosyjskiego na podstawie fragmentów "Wygnańca z Białej Rusi" Jana Galicza
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Demkowicz, Agata
This publication concerns Jan Galicz’s memoirs devoted to the expulsion of Jesuits from Russia. They were written in the form similar to a journey diary. It means that the diarist did not respect all the principles of the genre. Galicz’s narrative was divided into days but he not always gave the precise date with the day of the week to the descriptions and events. He was also not consequent in using markings like ‘in the morning’, ‘in the afternoon’, ‘after dinner’, characteristic for the daily narrative. Their usage would significantly influence the preservation of chronology of events. The Jesuit from Belarus only from time to time uses expressions like ‘after lunch’, ‘in the afternoon’, ‘at five o’clock’. Galicz did not pay attention to systematic daily narrative which constitutes a crucial indication of the diary genre. The cited excerpts from the diaries left by Galicz prove that his diaries do not belong to the group of distinguished works on the background of the output of Polish Enlightenment period. However, he makes reference to very important events in the history of the order. Moreover, he describes them from the perspective of their direct witness and participant.
Wybór listów Ewy Felińskiej z lat 1840-1855
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Cwenk, Małgorzata
The article announces and recalls the history of a bit forgotten collection of correspondence of a romantic writer and deportee. The collection covers two areas of the life and activity of Felińska. The exile lot is documented in unpublished letters to children and various addressees and the publishing lot – in those exchanged with Adam Zawadzki. Everyday matters of the exile appear quite rarely in the presented correspondence and if mentioned, always on a specific request of the addressee. There is no exile martyrdom. But there is fascination with cultural differences. In the letters to children attention is concentrated on problems shared by them in their letters to their mother. From the group of various addressees exceptional are the letter to Julia from the Raciborowskis Starorypińska (as a written, after the return from the exile, relation from events taking place after the Konarski’s supporters’ trial) and to Adam Zawadzki, being a record of editorial work on memoirs – "Wspomnienia z podróży do Syberii" ("Memoirs from the journey to Siberia") and "Pamiętniki z życia" ("Memoirs from life").
"Ofelia wędrowna" - bliżej twórczości Marii Komornickiej
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Walęciuk-Dejneka, Beata
Review: Piotr Odmieniec Włast (Marya Komornicka), „Xięga poezji idyllicznej. Rzeczy Francuskie” (“Book of idyllic poetry. French things”), ed. Barbara Steligowska, transl. Joanna Majewska, Warsaw 2011, pp. 150. The review takes a closer look at the edition of poems left by Piotr Odmieniec Włast or Maria Komornicka edited by Barbara Stelingowska in Warsaw in 2011. “Xięga poezji idyllicznej. Rzeczy francuskie” („Book of idyllic poetry. French things”) collects texts in a foreign language along with translations done by Joanna Majewska. The review contains a short biographical outline of the poet revealing her dramatic life before nervous breakdown and after it. Moreover, it reviews the up-to-now editions of the texts included in the manuscript of “Xięga poezji idyllicznej” and presents the researchers who in the last years studied the life and output of Maria Komornicka. It also shows the edition of the poems on the basis of afterword and translator’s remarks inscribing the publication in the current of studies done from the perspective of feminist and cultural philosophy.
Korespondencyjne spotkania Gabrieli z Güntherów Puzyniny i Katarzyny z Lipińskich Lewockiej
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Berkan-Jabłońska, Maria
The article presents a set of three letters from Gabriela Puzynina (1815-1869) to (probably) Katarzyna Lewocka (1799-1890), preserved in the manuscript in the PAU and PAN Library in Cracow (ref. 718, k. 581-585). In addition to editing the letters and affixing their footnotes, the sketch also contains a brief overview of the woman authors’ life and work. Also, outlined are the circumstances of their meeting and probable genesis of the letters. Particular attention is devoted to two works of Puzynina, which are discussed in the letters: "Hedwig" - the tragedy published a year after the death of the author, and "The eighteenth century philosopher's daughter", her lost piece. The material is treated not only as a certificate of the nineteenth-century culture, but also broadens the knowledge about interests, aspirations and language specific to women writers of the nineteenth century.
"Carmen nuptiale" Jana Bielskiego jako przykład jezuickiej twórczości o charakterze okolicznościowym
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Mieszek, Małgorzata
This article discusses the poetic piece by Jan Bielski entitled "Carmen nuptiale" included in his tragedy "Aleksy, cesarz wschodni" ("Alexy, eastern emperor") (Poznań, 1764). This drama was given to Joanna Nepomucena Działyńska and Teodor Koźmiński on the occasion of their wedding. In print there are two parallel versions of the wedding poem: a Latin one directed to Teodor, and a Polish one, addressed to Joanna. Both the occasion for writing the text and placing the poem within the occasional editorial framework of the piece caused that the Jesuit made reference to the rhetorical model of 'laudatio personae' and made use of ready-made ‘praising cliché’ in the creation of the bride. Joanna’s laudation, however, was presented in the attractive form of an epic story. Bielski skillfully combined biographical information with panegyric elements. With his text he became part of a long tradition of adding splendor to important events in the lives of noble families by Jesuits in the former Republic of Poland.
Konopnicka w kręgu rodzinnym
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Maciąg, Kazimierz
Review: Maria Konopnicka, "Listy do synów i córek" ("Letters to sons and daughters"), edited and prefaced by Lena Magnone, Warsaw – Institute of Literary Studies at Polish Academy of Sciences; Żarnowiec – Maria Konopnicka Museum, Warsaw 2010, pp. 956. The author presents the history of Maria Konopnicka’s correspondence as well as the history of editing this part of the writer’s output. He shows the content of the reviewed volume including letters to the poet’s children and discusses its structure and editorial principles. The reviewer finds specific features of Konopnicka’s correspondence considering it on the background of epistolography of other writers. The letters of the most popular poet of the second half of the 19th century have their own specificity; seemingly without emotions they hide crucial information about the inner life of their authoress. They are also an irreplaceable source of knowledge of the history of her writing.
Anna Libera „Krakowianka”. Narodowość i regionalizm
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Gracz-Chmura, Edyta
Anna Libera (1805-1886) is one of the most unique figures of romantic Cracow. She conformed her life to two passions – literature and social activity. She wrote epic works and dramas but she was mainly recognized thanks to poetry inspired by Cracow history and local folklore. The most popular pieces in her output, the so-called ‘krakowiaki’, meaning songs stylized to be like folk songs, refer to romantic nationality and regionalism. In public Libera also realized herself as the first suffragist in Cracow. She put forward her postulates in numerous speeches, appeals and essays, in which she demanded improvement in the lives of women. The majority of Libera’s works have not yet been published and are still in the form of handwritten manuscripts in the Cracow Czartoryski Library.
Syberia i Daleki Wschód w twórczości Igora Newerlego. Pisarska wizja, oceny, dyskusje
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Uljasz, Adrian
Igor Newerly (1903-1987) originating from a Czech-Russian-Polish family was characterized by Polish national identity, which he expressed in his works on, among others, Far-eastern and Siberian topics. In Manchuria occupied by the Japanese the story in “Leśne morze” (“Forest sea”) is placed. Siberia is the scenery for the plot of “Wzgórze Błękitnego Snu” (“Hill of the Blue Dream”). The characters in both these novels are Polish people staying in a multinational and multireligious environment. The two historical novels by Igor Newerly are examples of reference to the output of both Polish and foreign literature. At the same time they are original works. The writer was inspired to a greater degree by his own life and ideological experience than by the output of other authors.
Zaproszenie do publikacji w następnym numerze "Tematów i Kontekstów" pt. "Dzisiaj i jutro poetyki"
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Stanisz, Marek
Nieznane juwenilia Kazimierza Wierzyńskiego
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Truszkowski, Artur
This article consists of two parts. One of them is the publication of two unknown so far for the literary discourse early poems by Kazimierz Wierzyński entitled "Śni mi się wiosna" ("I dream of the spring") and "Pójdę, ja pójdę" ("I’ll go, I will go") published in one of the youth magazines in Poznań. The second part of this paper includes a historical outline of the “Filaret” magazine along with the textological analysis of the poems in which the author proves that the first prints of Wierzyński’s pieces published in “Filaret” should be considered as done not by the author. The whole of the article is complemented by the description of modernizations made during the adjustment of the texts of both poems.
Zagadnienia i zagadki edytorskie w rękopisach Bolesława Leśmiana
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Pachocki, Dariusz
The article discusses Bolesław Leśmian’s manuscripts which in 1944 his wife and daughter took away from Poland. After a long journey these materials were placed in the Harry Ransom Center collection in Austin (USA). After the war there attempts to draw Polish authorities’ and cultural institutions’ attention to them, unsuccessfully, however, because the manuscripts did not return to Poland. The author of the text focuses on benefits from collation of the available records with the manuscript. On this occasion problems connected with multi-variant nature, author’s will or the scope of editorial competences are discussed.
Parę uwag o konferencji „Poezja okolicznościowa lat 1730-1830 w Polsce. Nowe (?) perspektywy badawcze”
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Magryś, Roman
The text includes a report on the scientific conference "1730-1830 Occasional Poetry in Poland. New (?) Research Perspectives" which took place from April 24-26, 2012 at University of Rzeszów and the East European State Higher School in Przemyśl.
„Promethidion” Cypriana Norwida i „List do artystów” Jana Pawła II, czyli rozważania o pięknie prawdziwym
(Wydawnictwo Uniwersytetu Rzeszowskiego, 2012) Gadamska-Serafin, Renata
Two voices of Polish thinkers and poets on true beauty – “Promethidion” by Cyprian Norwid and “Letter to artists” by John Paul II – are related to each other in the thought on the soteriological character of beauty which triumphantly leads the man beyond his poverty and the perspective of a fall. Both texts were written despite the dominating philosophical currents of their times. Norwid denied hedonism and fuctionalism, and John Paul II’s message from "Letter to artists" remains in principal intellectual opposition to the ‘culture of death’ and postmodern esthetical relativity. Norwid’s thought about beauty is also placed in opposition to promoted by the 20th-century avant-garde and taken over by postmodernism category of ‘originality’. The place of the significant for modernity subjectivism and esthetical relativism is taken over by ‘esthetical personalism’ in the works of the recluse from Paris.

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